Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, George Cehanovsky, Alberto Erede made "Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore!" available on January 21, 2011. The duration of Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore! is about 3 minutes long, at 3:19. Based on our data, "Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore!" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. There are a total of 31 in the song's album "Rossini: Il Barbiere di Siviglia (Metropolitan Opera)". In this album, this song's track order is #4. Furthermore, we believe that the track originated from United States. Based on our statistics, Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore!'s popularity is unknown right now. Since there is more of a neutral sound being played, this makes the track somewhat danceable.
With Il Barbiere di Siviglia: Ehi, Fiorello?...Mio signore! by Gioachino Rossini, Cesare Sterbini, Giuseppe Di Stefano, George Cehanovsky, Alberto Erede having a BPM of 139 with a half-time of 70 BPM and a double-time of 278 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
ダッタン人の踊り (歌劇 イーゴリ公より) 6 娘たちの流麗な踊り | Alexander Borodin, Ken-Ichiro Kobayashi, Arnhem Philharmonic Orchestra | A Major | 2 | 11B | 176 BPM | ||
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo | Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox | C Major | 1 | 8B | 82 BPM | ||
Tchaikovsky: Romeo and Juliet, Fantasy Overture (Excerpt) | Pyotr Ilyich Tchaikovsky, Oslo Philharmonic Orchestra, Mariss Jansons | B Minor | 1 | 10A | 79 BPM | ||
Si, Mi Chiamano Mimì - la Boheme Atto I | Renata Tebaldi | D Major | 2 | 10B | 80 BPM | ||
Il barbiere di Siviglia / Act 1: No.1 Introduzione: "Piano, pianissimo" | Gioachino Rossini, Luigi Alva, Renato Cesari, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 0 | 9B | 102 BPM | ||
Pictures at an Exhibition (Orch. Ravel): Promenade I | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | F Major | 0 | 7B | 88 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Orfeo ed Euridice: "Act III, Scene 1, Orfeo: Che farò senza Euridice? " | Christoph Willibald Gluck, René Jacobs, Freiburger Barockorchester, RIAS Kammerchor | G Major | 1 | 9B | 71 BPM | ||
Julius Caesar, HWV 17, Act III Scene 1: Flow, my tears (Cleopatra) | George Frideric Handel, Sir Charles Mackerras, English National Opera Orchestra, Valerie Masterson | E Major | 0 | 12B | 72 BPM |
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