"A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo" by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox was released on February 3, 2017. With this song being about 5 minutes long, at 5:12, "A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo" by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, The Monteverdi Choir's "Mendelssohn: A Midsummer Night's Dream" album is number 12 out of 13. A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of A Midsummer Night's Dream, Incidental Music, Op. 61: No. 9, Hochzeitmarsch "Wedding March" - No. 12, Allegro vivace come primo by Felix Mendelssohn, London Symphony Orchestra, John Eliot Gardiner, Alexander Knox to be Andante (at a walking pace) because the track has a tempo of 82 BPM, a half-time of 41BPM, and a double-time of 164 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
C Major is the music key of this track. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Firebird, KC 10: IX. Second tableau - Disparition du palais et des sortilèges de Kachtcheï, animation des chevaliers pétrifiés | Igor Stravinsky, London Symphony Orchestra, Valery Gergiev | B Major | 3 | 1B | 90 BPM | ||
Hungarian Rhapsody No.6 in D-Flat Major, S. 244 | Franz Liszt, Martha Argerich | D♭ Major | 3 | 3B | 127 BPM | ||
Grieg: 4 Symphonic Dances, Op. 64: I. Allegro moderato e marcato | Edvard Grieg, Sakari Oramo, City Of Birmingham Symphony Orchestra | G Major | 1 | 9B | 129 BPM | ||
La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) | Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle | A Major | 1 | 11B | 92 BPM | ||
Don Quixote, Op. 35: Theme - Don Quixote, the Knight of the Sorrowful Countenance | Richard Strauss, Fritz Reiner | F Major | 0 | 7B | 63 BPM | ||
Symphonie Fantastique, Op. 14: IV. Marche au supplice | Hector Berlioz, London Symphony Orchestra, Valery Gergiev | G Minor | 1 | 6A | 76 BPM | ||
Elgar: Variations on an Original Theme, Op. 36 "Enigma": Variation IX. Nimrod | Edward Elgar, London Symphony Orchestra, Sir Adrian Boult | E♭ Major | 1 | 5B | 70 BPM | ||
Concerto For 2 Pianos In A Flat Major: III. Allegro Vivace | Benjamin Frith, RTE Sinfonietta, Hugh Tinney, Felix Mendelssohn | A♭ Major | 1 | 4B | 129 BPM | ||
Lascia Ch' io Pianga | George Frideric Handel, HAUSER, Robert Ziegler, London Symphony Orchestra | D Major | 3 | 10B | 173 BPM | ||
Mendelssohn: A Midsummer Night's Dream, Op. 61, MWV M13: No. 9, Wedding March | Felix Mendelssohn, André Previn, London Symphony Orchestra | F Major | 1 | 7B | 79 BPM |
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