Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle's 'La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March)' came out on March 8, 2019. With this song being about 5 minutes long, at 4:53, "La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March)" by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 3 out of 36 in Berlioz: La damnation de Faust by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle, Christopher Purves, Karen Cargill, Bryan Hymel, Gábor Bretz. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of La Damnation de Faust, Op. 24, H. 111, Pt. I, Scène III: Marche hongroise (Hungarian March) by Hector Berlioz, London Symphony Orchestra, Sir Simon Rattle is Andante (at a walking pace), since this song has a tempo of 92 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Beethoven: Fidelio, Op. 72: Overture | Ludwig van Beethoven, Sir Simon Rattle, Berliner Philharmoniker | E Major | 1 | 12B | 119 BPM | ||
The Imperial March (Darth Vader's Theme) | John Williams, London Symphony Orchestra | G Minor | 4 | 6A | 103 BPM | ||
Pan Voyevoda, Op. 59: III. Nocturne: Clair de lune | Nikolai Rimsky-Korsakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 1 | 5B | 138 BPM | ||
El amor brujo (Love, the Magician): Danza ritual del fuego (Ritual Fire Dance) | Manuel de Falla, Alicia Nafé, Asturias Symphony Orchestra, Maximiano Valdes | G Major | 1 | 9B | 132 BPM | ||
Concerto for Violin & Orchestra, Op. 14: 2. Andante | Samuel Barber, Gil Shaham, London Symphony Orchestra, André Previn | E Major | 1 | 12B | 84 BPM | ||
Le roi s'amuse: Passepied | Léo Delibes, Slovak Philharmonic, Ondrej Lenard | A Major | 1 | 11B | 88 BPM | ||
Arban / Bellini / Transc. Milone: Variations on Casta Diva (from the Opera "Norma") [Transc. Milone for Orchestra] | Jean-Baptiste Arban, Vincenzo Bellini, Lucienne Renaudin Vary, Roberto Rizzi Brignoli, Orchestre National de Lille | C Major | 2 | 8B | 124 BPM | ||
Piano Concerto No. 2 in F Minor, Op. 21: I. Maestoso | Frédéric Chopin, Seong-Jin Cho, London Symphony Orchestra, Gianandrea Noseda | F Minor | 1 | 4A | 107 BPM | ||
Academic Festival Overture, Op. 80 | Johannes Brahms, Gewandhausorchester Leipzig, Riccardo Chailly | C Major | 2 | 8B | 77 BPM | ||
Scherzo in B-Flat Major - Remastered | Modest Mussorgsky, Claudio Abbado, London Symphony Orchestra | D Major | 0 | 10B | 104 BPM |
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