"Komm in die Gondel" by Fritz Wunderlich was released on 2017. With this song being about 5 minutes long, at 4:32, "Komm in die Gondel" by Fritz Wunderlich is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 35 in the song's album "O sole mio". In this album, this song's track order is #5. Komm in die Gondel is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Komm in die Gondel by Fritz Wunderlich having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
C Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La traviata / Act I: "Ebben? che diavol fate?" | Giuseppe Verdi, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bavarian State Orchestra, Carlos Kleiber | E♭ Major | 1 | 5B | 125 BPM | ||
Komm' mein Söhnchen, auf ein Wort (Die verkaufte Braut: Kezal - Hans, 2.Akt) - 1990 Remastered Version | Bedřich Smetana, Fritz Wunderlich, Gottlob Frick, Bamberg Symphony, Rudolf Kempe | G Major | 3 | 9B | 116 BPM | ||
Sept mélodies, Op. 2: VI. Hébé | Ernest Chausson, Véronique Gens, Susan Manoff | A Minor | 0 | 8A | 80 BPM | ||
Fair or Dark I Love Them All | Stolz, Marischka, Fritz Wunderlich | D Minor | 3 | 7A | 86 BPM | ||
"Wien, Wien nur du allein" | Rudolf Sieczynski, Fritz Wunderlich, Vienna Volksoper Orchestra, Robert Stolz | G Major | 4 | 9B | 77 BPM | ||
Oberon, J.306: Ouvertüre | Carl Maria von Weber, Bavarian Radio Symphony Orchestra, Rafael Kubelik | D Major | 1 | 10B | 131 BPM | ||
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! | Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner | G Major | 2 | 9B | 112 BPM | ||
Gounod: Messe solennelle de Sainte Cécile: VIII. Domine salvum | Charles Gounod, Georges Prêtre, Nouvel Orchestre Philharmonique de Radio France | G Major | 1 | 9B | 85 BPM | ||
Waldeinsamkeit | Max Reger, Regula Mühlemann, Adrian Baianu | G Major | 1 | 9B | 104 BPM | ||
La Traviata / Act 1: "Che è ciò?" | Giuseppe Verdi, Stefania Malagu, Ileana Cotrubas, Walter Gullino, Plácido Domingo, Bruno Grella, Alfredo Giacomotti, Giovanni Foiani, Bavarian State Opera Chorus, Bavarian State Orchestra, Carlos Kleiber | F Minor | 1 | 4A | 84 BPM |
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