- BPM
- 112
- Key
- G Major
- Camelot
- 9B
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! - Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner Information
- Acousticness
- 98%
- Danceability
- 19%
- Energy
- 20%
- Instrumentalness
- 76%
- Liveness
- 13%
- Loudness
- 72%
- Speechiness
- 4%
- Valence
- 11%
- Popularity
- 1%
- Loudness
- -16.825 dB
Summary
"Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf!" by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner was released on February 28, 1997. The duration of Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! is about two minutes long, specifically at 2:28. This song does not appear to have any foul language. Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf!'s duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Carl Maria von Weber's "German Operatic Choruses" album is number 9 out of 14. In terms of popularity, Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! BPM
We consider the tempo marking of Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! by Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Richard Wagner to be Moderato (at a moderate speed) because the track has a tempo of 112 BPM, a half-time of 56BPM, and a double-time of 224 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 4/4.
Die Meistersinger Von Nurnberg (The Mastersingers Of Nuremberg): Wach Auf! Key
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Mass in C Major, Op. 86: I. Kyrie | Ludwig van Beethoven, Sir Colin Davis, Sally Matthews, Alastair Miles, London Symphony Chorus, John Mark Ainsley, Sara Mingardo, London Symphony Orchestra | C Major | 1 | 8B | 79 BPM | |
 | La boheme: Act I: O soave fanciulla (Rodolfo, Mimi) | Giacomo Puccini, Stanislav Beňačka, Carmen Gonzales, Ladislav Hallon, Richard Novak, Luba Orgonasova, Fabio Previati, Boaz Senator, Jiri Sulzenko, Ivan Urbas, Jonathan Welch, Slovak Philharmonic Chorus, Slovak Radio Symphony Orchestra, Will Humburg | A Major | 0 | 11B | 128 BPM | |
 | Tannhäuser, WWV 70 / Act 3: "Allmächt'ge Jungfrau, hör mein Flehen!" | Richard Wagner, Lise Davidsen, Philharmonia Orchestra, Esa-Pekka Salonen | F♯ Major | 1 | 2B | 177 BPM | |
 | Albert Herring, Op. 39: Act III: Threnody - In the midst of life is death | Benjamin Britten, Josephine Barstow, Susan Gritton, Della Jones, Felicity Palmer, Ann Taylor, Robert Lloyd, Peter Savidge, Gerald Finley, Christopher Gillett, Stuart Kale, Royal Northern Sinfonia, Steuart Bedford | F Major | 0 | 7B | 84 BPM | |
 | Gounod: Faust, Act 2: "Vin ou bière ... Jeune adepte du tonneau" (Chorus, Wagner) | Charles Gounod, Michel Plasson, Marc Barrard, Orchestre National Du Capitole De Toulouse | A Minor | 1 | 8A | 94 BPM | |
 | Strauss, Johann II: Die Fledermaus, Act 1: "Täubchen, das entflattert ist" (Alfred, Adele, Rosalinde) | Johann Strauss II, Plácido Domingo, Eva Lind, Lucia Popp, Das Münchner Rundfunkorchester | G Major | 1 | 9B | 49 BPM | |
 | Requiem aeternam: Recordare | Franz von Suppé, Marie Fajtová, Franziska Gottwald, Tomislav Musek, Albert Pesendorfer, Munich Philharmonic Chorus, Philharmonie Festiva, Gerd Schaller | D Minor | 1 | 7A | 121 BPM | |
 | Missa in angustiis "Nelson Mass", Hob. XXII:11 in D minor: Gloria: Qui tollis | Joseph Haydn, Barbara Hendricks, Marjana Lipovsek, Francisco Araiza, Peter Meven, Bavarian Radio Symphony Orchestra, Bavarian Radio Chorus, Sir Colin Davis | B♭ Major | 1 | 6B | 94 BPM | |
 | Haydn: The Creation, Hob. XXI:2, Pt. 1: No. 10, Chorus. "Awake the Harp" (Chorus) | Joseph Haydn, Sir Simon Rattle, City of Birmingham Symphony Chorus, City Of Birmingham Symphony Orchestra | B♭ Major | 3 | 6B | 109 BPM | |
 | Requiem: IV. Liber Scriptus | Giuseppe Verdi, Sir Colin Davis, Karen Cargill, London Symphony Orchestra | B♭ Major | 0 | 6B | 68 BPM |
- ISRC
- This song does not have an ISRC.
- Label
- L-M Records/RCA Records
Section: 0.6173605918884277
End: 0.6233654022216797