Thomas Adès, Conlon Nancarrow, Rolf Hind made "Nancarrow Studies: Study No. 6" available on October 18, 2011. With this song being around four minutes long, at 3:39, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 8 out of 9 in Adès: In Seven Days / Nancarrow Studies Nos. 6 & 7 by Thomas Adès, London Sinfonietta. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, Nancarrow Studies: Study No. 6 is currently not that popular. The overall mood can be danceable to some, especially with it's high amount of postive energy.
The tempo marking of Nancarrow Studies: Study No. 6 by Thomas Adès, Conlon Nancarrow, Rolf Hind is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song has a musical key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Tempest, Act 1, Scene II: Oh father | Thomas Adès, William Shakespeare | D Minor | 1 | 7A | 118 BPM | ||
The Tempest, Act 1: Scene VI: As i sat weeping | Thomas Adès, William Shakespeare | D Major | 1 | 10B | 87 BPM | ||
Dido and Aeneas, Z. 626 / Act III: "When I Am Laid in Earth" Dido's Lamento (Arr. by Mathieu Herzog for Cello and Strings) | Henry Purcell, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | G Minor | 1 | 6A | 77 BPM | ||
Nocturnes, L. 91: I. Nuages (Arr. by Denis Herlin) | Claude Debussy, Denis Herlin, Hallé, Sir Mark Elder | A♭ Major | 3 | 4B | 113 BPM | ||
Quatuor pour la fin du Temps: V. Louange à l'éternité de Jésus | Olivier Messiaen, Lucas Debargue | E Major | 0 | 12B | 81 BPM | ||
Suite for Symphonic Strings: 2. Chorale "Et in Arcadio Ego" | Lou Harrison, American Composers Orchestra, Dennis Russell Davies | B Minor | 0 | 10A | 87 BPM | ||
Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) | Lili Boulanger, Raphaela Gromes, Julian Riem | A Major | 2 | 11B | 78 BPM | ||
4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) | Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling | F♯ Major | 0 | 2B | 78 BPM | ||
Melodies of the Moments - Cycle III: I. Lullaby | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
The Seasons, Op. 37b: X. October (Autumn Song) | Pyotr Ilyich Tchaikovsky, Khatia Buniatishvili | D Minor | 0 | 7A | 78 BPM |
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