"The Tempest, Act 1, Scene II: Oh father" by Thomas Adès, William Shakespeare was released on June 8, 2009. With The Tempest, Act 1, Scene II: Oh father being less than two minutes long, at 1:42, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 28 in the song's album "Thomas Ades: The Tempest". In this album, this song's track order is #2. In terms of popularity, The Tempest, Act 1, Scene II: Oh father is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With The Tempest, Act 1, Scene II: Oh father by Thomas Adès, William Shakespeare having a BPM of 118 with a half-time of 59 BPM and a double-time of 236 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 5/4.
This song has a musical key of D Minor. Which also means that the camelot key for this song is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Impresiones intimas: I. 4 Quejas (4 Complaints): No. 1. Lento cantabile espressive | Federico Mompou, Olena Kushpler | A Minor | 0 | 8A | 74 BPM | ||
DANCE: II. if you’ve torn the bandage off | Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop | G Major | 2 | 9B | 99 BPM | ||
Abschiedsserenade: II | Valentin Silvestrov, Munich Chamber Orchestra, Christoph Poppen | D♭ Major | 0 | 3B | 80 BPM | ||
String Quartet No. 12 in F Major, Op. 96, B. 179 "American": II. Lento | Antonín Dvořák, Pavel Haas Quartet | D Minor | 0 | 7A | 87 BPM | ||
Septet in E Flat Major Op65 IV (Saint Saens) | Thomas Adès | E♭ Major | 1 | 5B | 95 BPM | ||
Une barque sur l'océan: Très souple de rythme | Maurice Ravel, Berliner Philharmoniker, Pierre Boulez | A Major | 0 | 11B | 79 BPM | ||
Montero: Adagio (After Bach's Violin Concerto No. 2, BWV 1042) | Johann Sebastian Bach, Gabriela Montero | F♯ Minor | 0 | 11A | 73 BPM | ||
Choral Hymns from the Rig Veda, 3rd Group, Op. 26: No. 1. Hymn to the Dawn (arr. J. Lloyd Webber for 4 cellos and harp) | Gustav Holst, Julian Lloyd Webber, Jiaxin Lloyd Webber, Guy Johnston, Laura van der Heijden, Catrin Finch | G Major | 1 | 9B | 84 BPM | ||
Belshazzar's Feast, JS 48: Act II: Prelude: Nocturno | Jean Sibelius, Turku Philharmonic Orchestra, Leif Segerstam | D♭ Major | 0 | 3B | 81 BPM | ||
3 Piano Pieces, Op. 54: I. Vesipisaroita (Raindrops) | Selim Palmgren, Risto Lauriala | E Minor | 0 | 9A | 105 BPM |
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