Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop's 'DANCE: II. if you’ve torn the bandage off' came out on June 5, 2020. With this song being around four minutes long, at 4:10, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 2 out of 9 in Anna Clyne: DANCE - Edward Elgar: Cello Concerto by Inbal Segev, London Philharmonic Orchestra, Marin Alsop. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. In terms of popularity, DANCE: II. if you’ve torn the bandage off is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of DANCE: II. if you’ve torn the bandage off by Anna Clyne, Inbal Segev, London Philharmonic Orchestra, Marin Alsop is Andante (at a walking pace), since this song has a tempo of 99 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
G Major is the music key of this track. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Canon | Johann Pachelbel, David Parry, London Philharmonic Orchestra | D Major | 3 | 10B | 137 BPM | ||
13 Préludes, Op. 32: No. 5 in G Major. Moderato | Sergei Rachmaninoff, Boris Giltburg | B♭ Major | 0 | 6B | 66 BPM | ||
Fantasia on a Theme by Thomas Tallis (opening) | Sir Adrian Boult, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 68 BPM | ||
Pastorale d'été, H. 31 | Arthur Honegger, Oliver Zeffman, Academy of St. Martin in the Fields | A Major | 1 | 11B | 65 BPM | ||
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
Stravinsky / Arr. Agosti for Piano: The Firebird: Kashchei's Infernal Dance | Igor Stravinsky, Beatrice Rana | E Major | 4 | 12B | 140 BPM | ||
Six Romances, Op. 6, TH 93: VI. None but the Lonely Heart (Arr. Elman) | Pyotr Ilyich Tchaikovsky, Daniel Lozakovich, Stanislav Soloviev | D♭ Major | 1 | 3B | 101 BPM | ||
Bach - Violin Sonata in E Minor, P. 85 (after J.S. Bach's BWV 1023): I. Allegro | Ottorino Respighi, Ilkka Talvi, Seattle Symphony Orchestra, Gerard Schwarz | D Major | 2 | 10B | 126 BPM | ||
Violin Concerto No. 1 in G Minor, Op. 26: 2. Adagio | Max Bruch, Ray Chen, London Philharmonic Orchestra, Robert Trevino | E♭ Major | 1 | 5B | 85 BPM | ||
Dido and Aeneas, Z. 626 (Arr. for String Orchestra by Leopold Stokowski): When I Am Laid in Earth | Henry Purcell, United Strings of Europe, Julian Azkoul | G Minor | 0 | 6A | 80 BPM |
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