Lili Boulanger, Raphaela Gromes, Julian Riem made "Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem)" available on October 28, 2022. The duration of Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) is about two minutes long, specifically at 2:59. This song does not appear to have any foul language. Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem)'s duration is considered a little bit shorter than the average duration of a typical track. Because this song is the only song in Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Germany. Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) is below average in popularity right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
The tempo marking of Deux Morceaux: I. Nocturne (Arr. for Cello & Piano by Julian Riem) by Lili Boulanger, Raphaela Gromes, Julian Riem is Andante (at a walking pace), since this song has a tempo of 78 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of A Major. This also means that this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Chopin: Cello Sonata in G Minor, Op. 65: III. Largo | Frédéric Chopin, Gautier Capuçon, Yuja Wang | G Major | 1 | 9B | 75 BPM | ||
Song of the Birds | Pablo Casals, Sol Gabetta | D Major | 1 | 10B | 68 BPM | ||
Cello Sonata in D Major, Op. 17: II. Andante tranquillo | Luise Adolpha Le Beau, Steven Isserlis, Connie Shih | B Minor | 1 | 10A | 86 BPM | ||
An die Musik, D. 547 (Transc. for Cello & Piano) | Franz Schubert, Kian Soltani, Aaron Pilsan | D Major | 1 | 10B | 81 BPM | ||
3 Romanzen, Op. 28: No. 2 in F-Sharp Major (Einfach) | Robert Schumann, Benjamin Grosvenor | B Major | 7 | 1B | 142 BPM | ||
Jesus bleibt meine Freude | Julian Riem | G Major | 2 | 9B | 93 BPM | ||
Melodies of the Moments - Cycle III: II. Barcarole | Valentin Silvestrov, Daniel Hope, Alexey Botvinov | G Major | 1 | 9B | 127 BPM | ||
Songs without Words, Op. 67, No. 3 in B-Flat Major: Andante tranquillo | Felix Mendelssohn, Philippe Cassard | B♭ Major | 0 | 6B | 89 BPM | ||
Deux valses pour deux pianos: I. Valse lente (arr. for Solo Piano) | Germaine Tailleferre, Eric Le Sage | F♯ Minor | 1 | 11A | 94 BPM | ||
II. Petit Poucet (Arr. for Piano Trio by Julian Riem) | Maurice Ravel, Raphaela Gromes, Julian Riem, Daniel Dodds | C Minor | 1 | 5A | 62 BPM |
Section: 0.7260642051696777
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