"An die Musik, D. 547 (Transc. for Cello & Piano)" by Franz Schubert, Kian Soltani, Aaron Pilsan was released on April 23, 2021. The duration of An die Musik, D. 547 (Transc. for Cello & Piano) is about two minutes long, specifically at 2:25. This song does not appear to have any foul language. An die Musik, D. 547 (Transc. for Cello & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. Since Schubert: An die Musik, D. 547 (Transc. for Cello & Piano) only contains only one song in the album, we like to consider this song as a single. Furthermore, we believe that the track originated from Germany. An die Musik, D. 547 (Transc. for Cello & Piano) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With An die Musik, D. 547 (Transc. for Cello & Piano) by Franz Schubert, Kian Soltani, Aaron Pilsan having a BPM of 81 with a half-time of 40 BPM and a double-time of 162 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
D Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 8 in B-Flat Major, D. 112: II. Andante sostenuto | Franz Schubert, Takács Quartet | G Minor | 0 | 6A | 97 BPM | ||
3 Nocturnes for Cello and Guitar: Nocturne No. 1 in A Minor - Andantino | Franz Burgmüller, Anja Lechner, Pablo Marquez | A Major | 0 | 11B | 104 BPM | ||
Adagio | Alessandro Marcello, Martin Stadtfeld | D Minor | 0 | 7A | 91 BPM | ||
Ständchen in D Minor (After Schubert), S. 560 | Franz Liszt, Lise de la Salle | D Major | 0 | 10B | 76 BPM | ||
Berceuse | Germaine Tailleferre, Sara Chenal, Jean-Pierre Ferey | A Major | 0 | 11B | 101 BPM | ||
Piano Sonata No. 8 in C minor, Op. 13, "Pathétique": II. Adagio cantabile | Ludwig van Beethoven, Igor Levit | A♭ Major | 0 | 4B | 63 BPM | ||
Peer Gynt Suite No. 2, Op. 55: IV. Solveigs sang (Solveig's Song) | Edvard Grieg, Malmö Symphony Orchestra, Bjarte Engeset | A Minor | 0 | 8A | 110 BPM | ||
Lieder ohne Worte, Op. 67: No. 2 Allegro leggiero (Arr. Ottensamer for Clarinet and Piano) | Felix Mendelssohn, Andreas Ottensamer, Yuja Wang | F♯ Minor | 0 | 11A | 75 BPM | ||
7 Canciones populares Españolas: No. 5, Nana | Manuel de Falla, Pablo Ferrandez, Denis Kozhukhin | A Minor | 0 | 8A | 170 BPM | ||
The Messenger (For Piano Solo) | Valentin Silvestrov, Hélène Grimaud | C Major | 0 | 8B | 68 BPM |
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