"4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato)" by Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling was released on September 9, 2016. With this song being around four minutes long, at 3:38, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 7 in the song's album "Ustvolskaya, Silvestrov & Kancheli: Works for Piano & Orchestra". In this album, this song's track order is #3. 4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With 4 Postludes for Piano & String Orchestra: No. 2. Moderato, con moto (poco rubato) by Valentin Silvestrov, Elisaveta Blumina, Stuttgart Chamber Orchestra, Thomas Sanderling having a BPM of 78 with a half-time of 39 BPM and a double-time of 156 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
The music key of this track is F♯ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 2B. So, the perfect camelot match for 2B would be either 2B or 3A. While, 3B can give you a low energy boost. For moderate energy boost, you would use 11B and a high energy boost can either be 4B or 9B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 2A or 1B will give you a low energy drop, 5B would be a moderate one, and 12B or 7B would be a high energy drop. Lastly, 11A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rondeau: Paula | Jean Rondeau, Laurent Muller, Alice Bourlier, Maria Mosconi, Tanguy de Williencourt | F♯ Major | 0 | 2B | 120 BPM | ||
Waldszenen, Op. 82: I. Eintritt im Walde | Robert Schumann, Arcadi Volodos | B♭ Major | 0 | 6B | 113 BPM | ||
Piano Piece No. 23 | Giya Kancheli, Anna Gourari | F Major | 0 | 7B | 162 BPM | ||
33 Miniatures for Piano (Excerpts): No. 2, Lontano, molto rubato | Giya Kancheli, Elisaveta Blumina | E Minor | 0 | 9A | 133 BPM | ||
Hungarian Album, Op. 54: No. 4, Sonntagsausflug | Grigori Frid, Elisaveta Blumina | D Major | 3 | 10B | 158 BPM | ||
Bagatelles I-XIII: Bagatelle I | Valentin Silvestrov, Hélène Grimaud | C Minor | 0 | 5A | 135 BPM | ||
Orfeo ed Euridice, Wq. 30 / Act II: Dance of the Blessed Spirits (Arr. by Mathieu Herzog for Cello and Strings) | Christoph Willibald Gluck, Camille Thomas, Brussels Philharmonic, Mathieu Herzog | B Minor | 1 | 10A | 87 BPM | ||
Augenblicke einer Serenade | Valentin Silvestrov, Anja Lechner | D Major | 0 | 10B | 90 BPM | ||
2 Aquarelles: Lento, ma non troppo | Frederick Delius, Royal Northern Sinfonia, David Lloyd-Jones | B♭ Major | 1 | 6B | 72 BPM | ||
Truth, And Then There Were Teardrops | Amy Dickson | B♭ Minor | 1 | 3A | 63 BPM |
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