"Petite messe solennelle: Sanctus" by Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov was released on 2014. With this song being around four minutes long, at 3:45, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Rossini: Petite messe solennelle". In this album, this song's track order is #12. Petite messe solennelle: Sanctus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Petite messe solennelle: Sanctus by Gioachino Rossini, Orchestre de chambre de Paris, Accentus, Ottavio Dantone, Julia Lezhneva, Delphine Galou, Michael Spyres, Alexander Vinogradov having a BPM of 71 with a half-time of 36 BPM and a double-time of 142 BPM, we would consider this track to have a Adagio (slowly with great expression) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 4/4.
This song is in the music key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Messa da Requiem: II Lacrymosa | Mass Text, Giuseppe Verdi, Elena Filipova, Hungarian State Opera Chorus, Cesar Hernandez, Gloria Scalchi, Carlo Colombara, Hungarian State Opera Orchestra | B♭ Minor | 1 | 3A | 77 BPM | ||
Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus] | Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden | A Major | 2 | 11B | 128 BPM | ||
Der Freischutz, J. 277: Huntsmen's Chorus | Carl Maria von Weber, Slovak Radio Symphony Orchestra, Slovak Philharmonic Chorus, Johann Friedrich Kind | D Major | 2 | 10B | 116 BPM | ||
La Cenerentola / Act 1: "Non so che dir" | Gioachino Rossini, William Matteuzzi, Enzo Dara, Orchestra del Teatro Comunale di Bologna, Riccardo Chailly | D Major | 5 | 10B | 197 BPM | ||
Petite messe solennelle: Credo: Petite messe solennelle: Credo: III. Et resurrexit | Gioachino Rossini, Marcus Creed, RIAS Kammerchor | E Major | 1 | 12B | 130 BPM | ||
Il barbiere di Siviglia (The Barber of Seville): Act I No. 1: Introduzione: Piano, pianissimo | Gioachino Rossini, Roberto Servile, Sonia Ganassi, Ramón Vargas, Angelo Romero, Franco de Grandis, Ingrid Kertesi, Kazmer Sarkany, Laszlo Orban, Ferenc Korpas, Hungarian Radio Chorus, Budapest Failoni Chamber Orchestra, Will Humburg | G Major | 0 | 9B | 104 BPM | ||
L'elisir d'amore: Overture (Preludio) | Gaetano Donizetti, Metropolitan Opera Orchestra, James Levine | D Major | 0 | 10B | 139 BPM | ||
Offenbach: Les Brigands: Overture | Jacques Offenbach, John Eliot Gardiner, Orchestre de l'Opéra de Lyon | E♭ Major | 2 | 5B | 89 BPM | ||
La sonnambula, Act I: Come per me sereno | Vincenzo Bellini, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto | E♭ Major | 1 | 5B | 88 BPM | ||
Cavalleria rusticana: Act I: Intermezzo sinfonico | Pietro Mascagni, James Levine, National Philharmonic Orchestra | F Major | 1 | 7B | 87 BPM |
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