Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden made "Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus]" available on 1993. With Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus] being less than two minutes long, at 1:35, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 50 in the song's album "Rossini : La Cenerentola". In this album, this song's track order is #47. Furthermore, we believe that the track originated from Germany. Based on our statistics, Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus]'s popularity is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Rossini : La Cenerentola : Act 2 "Della Fortuna instabile" [Chorus] by Gioachino Rossini, Carlo Rizzi, Orchestra of the Royal Opera House, Covent Garden having a BPM of 128 with a half-time of 64 BPM and a double-time of 256 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Elisabetta, regina d'inghilterra, Act I Scenes 14 & 15: Se mi serbasti il soglio - Quegl'indegni | Gioachino Rossini, Serena Farnocchia, Veronica Marini, Mara Gaudenzi, Luis Aguilar, Cracow Philharmonic Chorus, Cracow Philharmonic Orchestra, Antonino Fogliani, Patrick Kabongo Mubenga | E Major | 7 | 12B | 119 BPM | ||
Si può?....Chi è là? (Benoît/Marcello/Schaunard/Colline/Rodolfo) - 1997 Remastered Version | Giacomo Puccini, Carlo Badioli, Antonino Votto, Orchestra Del Teatro Alla Scala Di Milan, Orchestra Del Teatro Alla Scala, Milano | F♯ Minor | 2 | 11A | 109 BPM | ||
Madama Butterfly (1986 - Remaster), Act II: Addio, fiorito asil (Pinkerton/Sharpless) | Giacomo Puccini, Carlo Bergonzi, Rolando Panerai, Renata Scotto, Carlo Bergonzi, Orchestra del Teatro dell’Opera di Roma & Sir John Barbirolli, Sir John Barbirolli, Orchestra Del Teatro Dell'Opera Di Roma | G Minor | 2 | 6A | 132 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Il barbiere di Siviglia / Act II: No. 19 Finaletto II: "Di sì felice innesto" | Gioachino Rossini, Stefania Malagu, Teresa Berganza, Luigi Alva, Hermann Prey, Enzo Dara, Paolo Montarsolo, Ambrosian Opera Chorus, London Symphony Orchestra, Claudio Abbado | G Major | 3 | 9B | 109 BPM | ||
Mozart: Don Giovanni: La ci darem la mano | Nicolai Ghiaurov, Mirella Freni | B♭ Major | 2 | 6B | 91 BPM | ||
Così fan tutte, K. 588 / Act I: "La mia Dorabella" | Wolfgang Amadeus Mozart, Rolando Villazón, Adam Plachetka, Alessandro Corbelli, Chamber Orchestra of Europe, Yannick Nézet-Séguin | G Major | 2 | 9B | 128 BPM | ||
Puccini: La bohème, Act 2: "Beviam...Ch'io beva del tossico!" (Mimì/Marcello/Schaunard/Colline/Rodolfo/Coro) | Giacomo Puccini, Maria Callas, Rolando Panerai, Manuel Spatafora, Nicola Zaccaria, Giuseppe Di Stefano, Carlo Badioli, Coro Del Teatro Alla Scala Di Milano, Orchestra Del Teatro Alla Scala, Milano, Antonino Votto, Anna Moffo | E♭ Major | 2 | 5B | 115 BPM | ||
Rossini: La cenerentola, Act 2: "Nacqui all'affanno e al pianto.....Non più mesta" (Angelina) | Gioachino Rossini, Maria Callas, Nicola Rescigno, Orchestre De La Société Des Concerts Du Conservatoire | E Major | 1 | 12B | 122 BPM | ||
Linda di Chamounix, A. 62, Act I Scene 3: Qui sì, pria della partenza | Gaetano Donizetti, Jessica Pratt, Teresa Iervolino, Coro del Maggio Musicale Fiorentino, Orchestra del Maggio Musicale Fiorentino, Michele Gamba | E Minor | 2 | 9A | 81 BPM |
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