Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra's 'Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Variation II "Aurora"' came out on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Variation II "Aurora" being less than two minutes long, at 1:56, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #28. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Variation II "Aurora"'s popularity is not that popular right now. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28e, Pas de deux. Variation II "Aurora" by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 140 with a half-time of 70 BPM and a double-time of 280 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of A Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11B. So, the perfect camelot match for 11B would be either 11B or 12A. While, 12B can give you a low energy boost. For moderate energy boost, you would use 8B and a high energy boost can either be 1B or 6B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 11A or 10B will give you a low energy drop, 2B would be a moderate one, and 9B or 4B would be a high energy drop. Lastly, 8A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Carnival of the Animals, R.125: XIV. Finale | Camille Saint-Saëns, Cologne New Philharmonic, Nataša Majer, Ana Pišpek, Volker Hartung | C Major | 4 | 8B | 101 BPM | ||
Symphony No.6 in F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo | Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti | C Major | 2 | 8B | 118 BPM | ||
Coppelia: Act III - Danse de fete | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | D Major | 0 | 10B | 72 BPM | ||
Haydn: Symphony No. 94 in G Major, Hob. I:94 "Surprise": IV. Finale. Allegro di molto | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | G Major | 2 | 9B | 140 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Entrance | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | G Major | 2 | 9B | 86 BPM | ||
Don Quixote: Act I: Espada | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | B♭ Major | 1 | 6B | 183 BPM | ||
Gluck: Orfeo ed Euridice, Wq. 30, Act 2: Balletto | Christoph Willibald Gluck, Raymond Leppard, London Philharmonic Orchestra | F Major | 0 | 7B | 82 BPM | ||
Monn: Cello Concerto in G Minor: II. Adagio | Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra | E♭ Major | 1 | 5B | 141 BPM | ||
Giselle: No. 20 - Allegro feroce | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | G Major | 4 | 9B | 124 BPM | ||
Tchaikovsky: The Sleeping Beauty, Op. 66, Act I "The Spell": No. 9, Finale | Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra | A Major | 2 | 11B | 118 BPM |
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