Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov made "Don Quixote: Act I: Espada" available on February 24, 2004. With Don Quixote: Act I: Espada being less than two minutes long, at 1:08, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Ludwig Minkus, Nayden Todorov's "Minkus: Don Quixote" album is number 14 out of 59. The popularity of Don Quixote: Act I: Espada is currently below average in popularity right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Don Quixote: Act I: Espada by Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov to be Presto (very, very fast) because the track has a tempo of 183 BPM, a half-time of 92BPM, and a double-time of 366 BPM. Based on that, the speed of the song's tempo is fast. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. This also means that this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto N°1 in D, Op. 6: III. Rondo (Allegro spirituoso) | The London Symphony Orchestra - Gordan Nikolitch (violin) | A Major | 1 | 11B | 103 BPM | ||
Symphony No. 5 in D Major, Op. 107, MWV N15, "Reformation": II. Allegro vivace | Felix Mendelssohn, Heidelberg Symphony Orchestra, Thomas Fey | G Minor | 0 | 6A | 96 BPM | ||
Music of the Spheres Waltz, Op. 235 | Josef Strauss, Vienna Volksoper Orchestra | D Major | 1 | 10B | 97 BPM | ||
La Bayadere, Act I, Scene 2: 14. "Ankle Scarf Dance and Coda" | Evergreen Symphony Orchestra, Kevin Galiè | A Major | 1 | 11B | 101 BPM | ||
Raymonda, Act I: Reprise de la Valse | Alexander Glazunov, Kivov Orchestra, Viktor Fedotov | D Major | 3 | 10B | 110 BPM | ||
Adam & Drigo: Le Corsaire: Pas-de-deux - No. 3, Variation 2 (Allegro) | Adolphe Adam, Riccardo Drigo, London Festival Ballet Orchestra, Terence Kern | F Major | 1 | 7B | 104 BPM | ||
Paulli: The Kermesse in Bruges or The Three Gifts (Excerpts): Pas de deux, (a) Duet between Carelis and Eleonore | Holger Simon Paulli, Copenhagen Philharmonic Orchestra/Ole Schmidt, Ole Schmidt, Copenhagen Philharmonic Orchestra | D Major | 0 | 10B | 81 BPM | ||
Chopin / Arr. Douglas: Les sylphides: Waltz, Op. 64 No. 2 | Frédéric Chopin, Philharmonia Orchestra, Robert Irving | D♭ Minor | 1 | 12A | 74 BPM | ||
L'amant anonyme: Ballet No. 6 | Joseph Bologne Chevalier de Saint-Georges, Tafelmusik Baroque Orchestra, Jeanne Lamon | A Major | 2 | 11B | 128 BPM | ||
Carmen, Opera Suite No. 1: V. Seguedille, Act 1 | London Festival Orchestra Alfred Scholz | D Major | 0 | 10B | 92 BPM |
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