"Symphony No.6 in F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo" by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti had its release date on January 1, 1997. This song appears to be safe for all ages as it is not explicit. The song is number 5 out of 10 in Beethoven: Symphonies Nos. 5 & 6/The Creatures of Prometheus Overture by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti. In terms of popularity, Symphony No.6 in F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo is currently below average in popularity. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Symphony No.6 in F, Op.68 -"Pastoral": 1. Erwachen heiterer Empfindungen bei der Ankunft auf dem Lande: Allegro ma non troppo by Ludwig van Beethoven, London Symphony Orchestra, Antal Doráti is Moderato (at a moderate speed), since this song has a tempo of 118 BPM. With that information, we can conclude that the song has a moderate tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Sorcerer's Apprentice | Paul Dukas, Orchestre Symphonique de Montréal, Kent Nagano | D♭ Major | 2 | 3B | 123 BPM | ||
Paquita: Variation 4: Allegro | Ludwig Minkus, Anna Takova-Baynova, Valentina Raicheva, Sofia National Opera Orchestra, Boris Spassov | D Major | 1 | 10B | 112 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ Symphony": 2b. Maestoso - Più allegro - Molto allegro | Camille Saint-Saëns, Peter Hurford, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 3 | 9B | 150 BPM | ||
The Sleeping Beauty, Act I, Op. 66: No. 6, Waltz | State Academic Symphony Orchestra of the USSR, Yevgeny Svetlanov | B♭ Major | 2 | 6B | 103 BPM | ||
Freedom / The Execution Bannockburn | James Horner, London Symphony Orchestra | D Major | 1 | 10B | 123 BPM | ||
Rodeo: 4 Dance Episodes: No. 4. Hoe-Down | Aaron Copland, Buffalo Philharmonic Orchestra | G Major | 3 | 9B | 125 BPM | ||
Symphony No. 3 in C Minor, Op. 78 "Organ": I. Adagio | Camille Saint-Saëns, Eugene Ormandy, Philadelphia Orchestra | F Minor | 0 | 4A | 84 BPM | ||
Carmina Burana: I. O Fortuna | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 1 | 10B | 123 BPM | ||
Vremena Goda (The Seasons), Op. 67: Summer: Waltz of the Cornflowers and the Poppies | Alexander Glazunov, Slovak Radio Symphony Orchestra | D Major | 1 | 10B | 100 BPM | ||
Giselle: Andante | Adolphe Adam, London Symphony Orchestra, Michael Tilson Thomas | D Major | 0 | 10B | 122 BPM |