"Monn: Cello Concerto in G Minor: II. Adagio" by Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra was released on January 1, 1969. Since Monn: Cello Concerto in G Minor: II. Adagio is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Jacqueline du Pré, London Symphony Orchestra, Sir John Barbirolli's "Haydn & Monn: Cello Concertos" album is number 2 out of 6. Based on our statistics, Monn: Cello Concerto in G Minor: II. Adagio's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Monn: Cello Concerto in G Minor: II. Adagio by Georg Matthias Monn, Sir John Barbirolli, Valda Aveling, London Symphony Orchestra to be Allegro (fast, quick, and bright) because the track has a tempo of 141 BPM, a half-time of 70BPM, and a double-time of 282 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Variations on a Rococo Theme, Op. 33, TH. 57: Variazione IV: Andante grazioso | Pyotr Ilyich Tchaikovsky, Mstislav Rostropovich, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 66 BPM | ||
Holberg Suite, Op.40: 5. Rigaudon (Allegro con brio) | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | G Major | 0 | 9B | 128 BPM | ||
Haydn: Symphony No. 104 in D Major, Hob. I:104 "London": I. Adagio - Allegro | Franz Joseph Haydn, André Previn, Pittsburgh Symphony Orchestra | D Major | 2 | 10B | 119 BPM | ||
Saint-Saëns: Cello Concerto No. 1 in A Minor, Op. 33: Allegro non troppo - | Camille Saint-Saëns, Mstislav Rostropovich, Sir Malcolm Sargent, Philharmonia Orchestra | C Major | 1 | 8B | 75 BPM | ||
Butterworth: A Shropshire Lad | George Butterworth, Sir John Barbirolli, Hallé Orchestra | C Major | 1 | 8B | 100 BPM | ||
Symphony No. 9 in C, D.944 - "The Great": 3. Scherzo (Allegro vivace) | Franz Schubert, Berliner Philharmoniker, Herbert von Karajan | A Major | 0 | 11B | 78 BPM | ||
Concerto for Viola & Orchestra: II. Vivo con molto preciso | William Walton, Yuri Bashmet, André Previn, London Symphony Orchestra | A Minor | 2 | 8A | 136 BPM | ||
Handel: Organ Concerto in B-Flat Major, Op. 7 No. 3, HWV 308: IV. Menuet I & II | George Frideric Handel, Menuhin Festival Orchestra, Yehudi Menuhin, Simon Preston, Valda Aveling | B♭ Major | 2 | 6B | 108 BPM | ||
Elgar: Serenade for Strings in E Minor, Op. 20: I. Allegro piacevole | Edward Elgar, Sir John Barbirolli, Sinfonia Of London | C Major | 0 | 8B | 84 BPM | ||
String Quartet No. 14 In D Minor, D. 810 "Death and the Maiden": 4. Presto | Franz Schubert, Emerson String Quartet | D Minor | 1 | 7A | 101 BPM |
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