Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra made "Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Entrance" available on January 1, 1974. With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Entrance being less than two minutes long, at 1:41, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 61 in the song's album "Tchaikovsky: The Sleeping Beauty, Op. 66". In this album, this song's track order is #25. Furthermore, we believe that the track originated from United Kingdom. Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Entrance is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
With Tchaikovsky: The Sleeping Beauty, Op. 66, Act III "The Wedding": No. 28b, Pas de deux. Entrance by Pyotr Ilyich Tchaikovsky, André Previn, London Symphony Orchestra having a BPM of 86 with a half-time of 43 BPM and a double-time of 172 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 3/4.
This song has a musical key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Don Quixote: Prologue: Allegro | Ludwig Minkus, Sofia National Opera Orchestra, Nayden Todorov | A Minor | 0 | 8A | 128 BPM | ||
Armida: Overture | Gioachino Rossini, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 1 | 10B | 100 BPM | ||
Symphony No. 2 In C Minor - "Resurrection" / 2nd Movement - Andante moderato: Tempo I. Energisch bewegt | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 1 | 12A | 132 BPM | ||
Carmina Burana: XVII. Stetit puella | Carl Orff, London Symphony Chorus, London Symphony Orchestra, Richard Hickox | D Major | 0 | 10B | 80 BPM | ||
Peer Gynt Suite No. 2, Op. 55: III. Peer Gynt's Return | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F♯ Minor | 2 | 11A | 150 BPM | ||
Peer Gynt Suite No. 2, Op. 55: II. Arabian Dance | Edvard Grieg, Berliner Philharmoniker, Herbert von Karajan | F Major | 1 | 7B | 130 BPM | ||
Requiem: XI. Domine Jesu Christe | Giuseppe Verdi, Sir Colin Davis, London Symphony Orchestra, Karen Cargill, Stuart Neill, John Relyea, Christine Brewer | A♭ Major | 0 | 4B | 125 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | E Major | 1 | 12B | 80 BPM | ||
The Sleeping Beauty, Op. 66, TH.13 / Act 3: 23c. Pas de quatre: Variation II (Polka)(Silver Fairy) | Pyotr Ilyich Tchaikovsky, Mariinsky Orchestra, Uri Zagorodniuk, Sergei Roldugin, Valery Gergiev | A♭ Major | 1 | 4B | 118 BPM | ||
Coppelia: Act I - Scene | Léo Delibes, Slovak Radio Symphony Orchestra, Andrew Mogrelia | C Major | 0 | 8B | 84 BPM |
Section: 0.728771448135376
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