"Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll" by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan was released on January 1, 2003. With Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll being less than two minutes long, at 1:13, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Gustav Mahler, Latonia Moore, Nadja Michael, Wiener Philharmoniker, Gilbert Kaplan, Wiener Singverein, Johannes Prinz's "Mahler: Symphony No. 2" album is number 11 out of 42. Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Symphony No.2 in C minor - "Resurrection" / 3rd Movement - (Scherzo): Sehr getragen und gesangvoll by Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan to be Andante (at a walking pace) because the track has a tempo of 80 BPM, a half-time of 40BPM, and a double-time of 160 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song is in the music key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Die Walküre / Dritter Aufzug: "Hier bin ich, Vater" | Richard Wagner, Birgit Nilsson, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | F Major | 1 | 7B | 125 BPM | ||
Ma mère l'oye, M.60: VI. Laideronnette, Impératrice des Pagodes | Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France | A♭ Minor | 0 | 1A | 127 BPM | ||
Pelléas et Mélisande, L. 88 / Act I: Interlude | Claude Debussy, Wiener Philharmoniker, Claudio Abbado | F♯ Major | 0 | 2B | 85 BPM | ||
Beethoven: Symphony No. 4 in B-Flat Major, Op. 60: III. Menuetto. Allegro vivace | Ludwig van Beethoven, Wiener Philharmoniker, Sir Simon Rattle | B♭ Major | 1 | 6B | 78 BPM | ||
Die Walküre / Dritter Aufzug: "Denn einer nur freie die Braut" | Richard Wagner, Hans Hotter, Wiener Philharmoniker, Sir Georg Solti | D Major | 1 | 10B | 94 BPM | ||
Symphony No.2 in C minor - "Resurrection" / 5th Movement: Sehr langsam und gedehnt ("der grosse Appell") | Gustav Mahler, Wiener Philharmoniker, Gilbert Kaplan | D♭ Minor | 0 | 12A | 67 BPM | ||
Symphony No. 3 in D Minor: Part 1, I. Tempo Primo | Gustav Mahler, Esa-Pekka Salonen, Los Angeles Philharmonic | F Major | 1 | 7B | 122 BPM | ||
Rapsodie espagnole, M. 54: III. Habanera | Maurice Ravel, London Symphony Orchestra, Claudio Abbado | B Major | 0 | 1B | 119 BPM | ||
An der Elbe, Walzer, Op. 477 | Johann Strauss II, Zubin Mehta, Wiener Philharmoniker | B♭ Major | 1 | 6B | 89 BPM | ||
Gavotte | Joseph Hellmesberger, Jr., Andris Nelsons, Wiener Philharmoniker | A Major | 1 | 11B | 141 BPM |
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