"Ma mère l'oye, M.60: VI. Laideronnette, Impératrice des Pagodes" by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France was released on January 1, 2012. With this song being about 5 minutes long, at 4:46, "Ma mère l'oye, M.60: VI. Laideronnette, Impératrice des Pagodes" by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. There are a total of 13 in the song's album "Ravel : Concerto pour la main gauche, Boléro, Ma mère l'Oye, Le Tombeau de Couperin". In this album, this song's track order is #8. Based on our statistics, Ma mère l'oye, M.60: VI. Laideronnette, Impératrice des Pagodes's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Ma mère l'oye, M.60: VI. Laideronnette, Impératrice des Pagodes by Maurice Ravel, Myung-Whun Chung, Orchestre Philharmonique de Radio France having a BPM of 127 with a half-time of 64 BPM and a double-time of 254 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Minor. Which also means that the camelot key for this song is 1A. So, the perfect camelot match for 1A would be either 1A or 12B. While, a low energy boost can consist of either 1B or 2A. For moderate energy boost, you would use 10A and a high energy boost can either be 3A or 8A. However, if you are looking for a low energy drop, finding a song with a camelot key of 12A would be a great choice. Where 4A would give you a moderate drop, and 11A or 6A would be a high energy drop. Lastly, 4B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Violin Concerto in A minor, Op.82: 1. Moderato | Alexander Glazunov, Gil Shaham, Russian National Orchestra, Mikhail Pletnev | F Major | 1 | 7B | 75 BPM | ||
L'Enfant et les sortilèges, M.71 / Première partie: Keng-ca-fou, Mah-jong | Maurice Ravel, Jacqueline Miura, Mark Tucker, London Symphony Orchestra, André Previn | C Major | 1 | 8B | 88 BPM | ||
String Quartet In F Major, M.35: 1. Allegro moderato. Très doux | Maurice Ravel, Walter Levin, Henry Meyer, Peter Kamnitzer, Jack Kirstein | F Major | 1 | 7B | 82 BPM | ||
Valses nobles et sentimentales, M.61: 6. Assez vif | Maurice Ravel, Boston Symphony Orchestra, Seiji Ozawa | G Major | 1 | 9B | 100 BPM | ||
Two Lyric pieces Op. 68: I. Evening in the Mountains: Andantino | Edvard Grieg, Gothenburg Symphony Orchestra, Neeme Järvi, Marten Larsson | D Minor | 2 | 7A | 140 BPM | ||
Enigma Variations: Variation XII. B.G.N - Andante | Edward Elgar, Sir Colin Davis, London Symphony Orchestra | G Minor | 0 | 6A | 98 BPM | ||
L'heure espagnole, Comédie en un acte, M.52: "Mon oeil anxieux interroge" (Scène XIX) | Maurice Ravel, David Wilson-Johnson, John Mark Ainsley, London Symphony Orchestra, André Previn | E♭ Minor | 1 | 2A | 76 BPM | ||
Préludes - Book 2, L.123: 6. "General Lavine" - eccentric | Claude Debussy, Pierre-Laurent Aimard | C Minor | 1 | 5A | 100 BPM | ||
Piece en forme de habanera (arr. A. Hoeree for violin and orchestra) | Maurice Ravel, Arthur Hoeree, Jennifer Gilbert, Orchestre National De Lyon, Leonard Slatkin | G Major | 0 | 9B | 68 BPM | ||
Also sprach Zarathustra, Op. 30, TrV 176: Das Tanzlied - Das Nachtlied | Richard Strauss, Michel Schwalbé, Berliner Philharmoniker, Herbert von Karajan | C Major | 2 | 8B | 100 BPM |
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