George Crumb, Miró Quartet's 'Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects]' came out on June 1, 2003. With Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] being less than two minutes long, at 1:34, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 9 out of 21 in Complete Crumb Edition, Vol. 7 by George Crumb, Various Artists, James Freeman. In terms of popularity, Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black Angels (13 Images from the Dark Land) Pt. 1 "Departure": No. 1, Threnody I [Night of the Electric Insects] by George Crumb, Miró Quartet is Andante (at a walking pace), since this song has a tempo of 105 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 1/4.
This song is in the music key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Echoes II (Echoes of Time and the River): I. Frozen Time | George Crumb, Warsaw Philharmonic Orchestra, Thomas Conlin | C Minor | 0 | 5A | 133 BPM | ||
The Rite of Spring, Part 1: II. The Augurs of Spring - Dances of the Young Girls | Igor Stravinsky, Vasily Petrenko, Royal Liverpool Philharmonic Orchestra | B♭ Major | 3 | 6B | 115 BPM | ||
Schnittke: String Quartet No. 3: I. Andante | Alfred Schnittke, Borodin Quartet | G Major | 1 | 9B | 85 BPM | ||
Pictures At An Exhibition: The Hut On Fowl's Legs (Baba-Yaga) | Modest Mussorgsky, Orchestre Symphonique de Montréal, Charles Dutoit | G Major | 2 | 9B | 89 BPM | ||
Violin Concerto "Distant Light": Cadenza III | Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu | B♭ Major | 2 | 6B | 141 BPM | ||
Black Angels, 13 Images from the Dark Land, Pt. 1 "Departure" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 1, Threnody I. Night of the Electric Insects | George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo | B♭ Minor | 3 | 3A | 83 BPM | ||
Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) | Johann Mattheson, Clara Rockmore, Nadia Reisenberg | E Minor | 0 | 9A | 90 BPM | ||
Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) | Richard Heuberger, Clara Rockmore, Nadia Reisenberg | C Major | 1 | 8B | 80 BPM | ||
The End of Dracula | Philip Glass, Kronos Quartet | F Major | 2 | 7B | 84 BPM | ||
Sea-Nocturne (…For The End Of Time) Vox Balaenae | George Crumb, Ensemble für Neue Musik Zürich | F♯ Major | 0 | 2B | 76 BPM |
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