Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) - Richard Heuberger, Clara Rockmore, Nadia Reisenberg Information

Acousticness: 98%
Danceability: 7%
Energy: 6%
Instrumentalness: 86%
Liveness: 18%
Loudness: 65%
Speechiness: 4%
Valence: 17%
Popularity: 11%
Loudness: -21.231 dB

Summary

"Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano)" by Richard Heuberger, Clara Rockmore, Nadia Reisenberg was released on September 1, 2017. With this song being around four minutes long, at 3:48, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The song is number 11 out of 16 in Dvořák, Ravel, Gershwin & Others: Chamber Works by Clara Rockmore. Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) BPM

The tempo marking of Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) by Richard Heuberger, Clara Rockmore, Nadia Reisenberg is Andante (at a walking pace), since this song has a tempo of 80 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 5/4.

Der Opernball, Op. 40, Act III: Entr'acte (Arr. F. Kreisler for Theremin & Piano) Key

This song has a musical key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
La belle Hélène / Act 1: "Au Mont Ida, trois déesses"	Jacques Offenbach, Juan Diego Flórez, Orchestra del Teatro Comunale di Bologna, Roberto Abbado	F Major	2	7B	88 BPM
Schubert: Deutsche Messe, D. 872: No. 5, Zum Sanctus	Franz Schubert, Chor der St. Hedwigs, Kathedrale Berlin, Berliner Symphoniker, Wolfgang Meyer, Karl Forster, Chor der St. Hedwigs-Kathedrale Berlin	E♭ Major	0	5B	108 BPM
Saint-Saëns: Samson et Dalila, Op. 47, Act 1: "Printemps qui commence" (Dalila)	Camille Saint-Saëns, Maria Callas, Georges Prêtre, French National Radio Orchestra	E Major	1	12B	100 BPM
Binge: Elizabethan Serenade, "The Man in the Street"	Ronald Binge, Reginald Kilbey, Studio 2 Symphony Orchestra	F Major	1	7B	149 BPM
Lohengrin, WWV 75: Prelude To Act I	Richard Wagner, Berliner Philharmoniker, Rafael Kubelík	B Major	1	1B	81 BPM
The Gadfly, Op. 97: 3. Youth (Romance)	Dmitri Shostakovich, Janine Jansen, Royal Philharmonic Orchestra, Barry Wordsworth	D♭ Major	1	3B	79 BPM
Donizetti: L'elisir d'amore, Act 2: "Una furtiva lagrima" (Nemorino)	Gaetano Donizetti, Marcello Viotti, English Chamber Orchestra, Roberto Alagna	A♭ Major	0	4B	181 BPM
Schatz-walzer, Op. 418: Der Zigeunerbaron: Schatz-walzer (Treasure Waltz), Op. 418	Strauss Festival Orchestra, Johann Strauss II	G Major	1	9B	97 BPM
Espana, Waltz, Op. 236	Émile Waldteufel, Slovak State Philharmonic Orchestra, Kosice, Alfred Walter	F Major	4	7B	118 BPM
Strauss, Johann II: Die Fledermaus, Act 2: "Mein Herr Marquis" (Adele)	Johann Strauss II, Diana Damrau, David Charles Abell, Karl Huffier, Royal Liverpool Philharmonic Orchestra	G Major	3	9B	73 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.7196905612945557

End: 0.7251689434051514