"Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano)" by Johann Mattheson, Clara Rockmore, Nadia Reisenberg was released on September 1, 2017. The duration of Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) is about two minutes long, specifically at 2:07. This song does not appear to have any foul language. Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano)'s duration is considered a little bit shorter than the average duration of a typical track. The song is number 2 out of 16 in Dvořák, Ravel, Gershwin & Others: Chamber Works by Clara Rockmore. Going off of the ISRC code of this track, we detected that the origin of this track is from United States. In terms of popularity, Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) is currently not that popular. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Suite No. 5 in C Minor: V. Air (Arr. for Theremin & Piano) by Johann Mattheson, Clara Rockmore, Nadia Reisenberg is Andante (at a walking pace), since this song has a tempo of 90 BPM. With that information, we can conclude that the song has a slow tempo. This song can go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of E Minor. Because this track belongs in the E Minor key, the camelot key is 9A. So, the perfect camelot match for 9A would be either 9A or 8B. While, a low energy boost can consist of either 9B or 10A. For moderate energy boost, you would use 6A and a high energy boost can either be 11A or 4A. However, if you are looking for a low energy drop, finding a song with a camelot key of 8A would be a great choice. Where 12A would give you a moderate drop, and 7A or 2A would be a high energy drop. Lastly, 12B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Körtánc, Pt. 1 - From "Kárhozat" | Víg Mihály | E Major | 2 | 12B | 185 BPM | ||
From the Invisible to the Visible | Shara Worden, Nadia Sirota, James McVinnie, Daníel Bjarnason, Frank Aarnink, Valgeir Sigurðsson, Paul Evans, Missy Mazzoli, Paul Corley | C Minor | 1 | 5A | 73 BPM | ||
Afterlife | Wendy Carlos, Johnny Reinhard, conductor | C Major | 2 | 8B | 83 BPM | ||
Boris Godunov, Act 1: Wer die geliebten Augen siehet | Johann Mattheson, Alice Lackner, Eric Price, Joan Folque, Theresia Orchestra, Andrea Marchiol | F♯ Minor | 2 | 11A | 174 BPM | ||
Delhi I | Irena And Vojtech Havlovi, Arjun Sen | D♭ Major | 1 | 3B | 133 BPM | ||
Heima | Hildur Guðnadóttir, Skúli Sverrisson | D Minor | 1 | 7A | 145 BPM | ||
Clarinet Sonata in E-Flat Major, Op. 120, No. 2: I. Allegro amabile | Johannes Brahms, Benny Goodman, Nadia Reisenberg | D Major | 2 | 10B | 133 BPM | ||
To A Sea Horse | Moondog | D Major | 1 | 10B | 120 BPM | ||
Teresa, Lark of Ascension | Broadcast | A♭ Major | 4 | 4B | 79 BPM | ||
World Rhythms | Annea Lockwood | G Major | 4 | 9B | 108 BPM |
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