"Echoes II (Echoes of Time and the River): I. Frozen Time" by George Crumb, Warsaw Philharmonic Orchestra, Thomas Conlin was released on September 1, 2017. With this song being around four minutes long, at 4:13, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in George Crumb, Warsaw Philharmonic Orchestra, Thomas Conlin's "George Crumb: Orchestral Music" album is number 2 out of 12. Based on our statistics, Echoes II (Echoes of Time and the River): I. Frozen Time's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Echoes II (Echoes of Time and the River): I. Frozen Time by George Crumb, Warsaw Philharmonic Orchestra, Thomas Conlin to be Allegro (fast, quick, and bright) because the track has a tempo of 133 BPM, a half-time of 66BPM, and a double-time of 266 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of C Minor. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shall I Compare Thee to a Summer's Day | George Crumb, Henry Purcell, Sebastian Carewe, Christine Schäfer, Eric Schneider | F Major | 0 | 7B | 63 BPM | ||
Uaxuctum: III. — | Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 85 BPM | ||
Easter | Jasha Klebe | G Minor | 1 | 6A | 74 BPM | ||
Nashville Concerto: III. Rondo - Scherzo | Jurgen De Pillecyn, Eddy Vanoosthuyse, Ataneres Ensemble, Erik Desimpelaere | A♭ Major | 1 | 4B | 83 BPM | ||
Symphony, Op. 21: II. Variationen | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | D♭ Major | 0 | 3B | 135 BPM | ||
Aracnofobia | Alessandro Gozzo, Cats Rule the World | A Minor | 1 | 8A | 82 BPM | ||
Mikrokosmos, Vol. 6, Sz. 107: No. 149, 6 Dances in Bulgarian Rhythm (Arr. B. Wulff for Percussion Ensemble) | Béla Bartók, Špela Mastnak, Yuka Ohta, Max Riefer, Deutsche Radio Philharmonie, Pietari Inkinen, Stephan Böhnlein, Martin Frink, Jochen Ille, Michael Gärtner | D♭ Major | 2 | 3B | 74 BPM | ||
Symphony, Op. 21: I. Ruhig, schreitend | Anton Webern, Twentieth Century Classics Ensemble, Robert Craft | G Major | 0 | 9B | 78 BPM | ||
Concerto pour piano et orchestre: I. Vivace molto ritmico e preciso | György Ligeti, Ensemble Intercontemporain, Pierre Bleuse, Dimitri Vassilakis | B Minor | 0 | 10A | 134 BPM | ||
Two Pieces for violin, viola and piano: II. Allegro con molto moto | Benjamin Britten, Isabelle Faust, Alexander Melnikov, Boris Faust | F♯ Major | 1 | 2B | 138 BPM |
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