Symphony, Op. 21: II. Variationen - Anton Webern, Twentieth Century Classics Ensemble, Robert Craft Information

Acousticness: 98%
Danceability: 36%
Energy: 1%
Instrumentalness: 0%
Liveness: 5%
Loudness: 48%
Speechiness: 5%
Valence: 11%
Popularity: 32%
Loudness: -31.024 dB

Summary

"Symphony, Op. 21: II. Variationen" by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft was released on January 2, 2005. The duration of Symphony, Op. 21: II. Variationen is about two minutes long, specifically at 2:36. This song does not appear to have any foul language. Symphony, Op. 21: II. Variationen's duration is considered a little bit shorter than the average duration of a typical track. This song is part of Webern, A.: Symphony / 6 Pieces, Op. 6 / Concerto by Anton Webern, Robert Craft. The song's track number on the album is #2 out of 42 tracks. Based on our statistics, Symphony, Op. 21: II. Variationen's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Symphony, Op. 21: II. Variationen BPM

Since Symphony, Op. 21: II. Variationen by Anton Webern, Twentieth Century Classics Ensemble, Robert Craft has a tempo of 135 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Symphony, Op. 21: II. Variationen being at 135 BPM, the half-time would be 68 BPM with a double-time of 270 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.

Symphony, Op. 21: II. Variationen Key

D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
In Nomine (2001) for bass flute, english horn, clarinet, piano, vibraphone, violin, viola and Violoncello	Georg Friedrich Haas, Ensemble Recherche	G Minor	0	6A	127 BPM
Piano Concerto No. 1, Op. 45: II. Andante (ma rubato)	Einojuhani Rautavaara, Laura Mikkola, Royal Scottish National Orchestra, Hannu Lintu	D♭ Major	0	3B	104 BPM
Quartet for the End of Time	Olivier Messiaen, The Fibonacci Sequence, Jack Liebeck, Julian Farrell, Benjamin Hughes, Kathron Sturrock	F♯ Major	1	2B	103 BPM
3 Pieces for Orchestra, Op. 6: 1. Praeludium (Prelude)	Alban Berg, Wiener Philharmoniker, Claudio Abbado	F Minor	1	4A	128 BPM
Lied mit vier Variationen in G Major	Anton Webern, Jean-Jacques Dünki	G Major	0	9B	121 BPM
Don Quixote, Op. 35, TrV 184: Variation VII. Der Ritt durch die Luft	Richard Strauss, Oslo Philharmonic Orchestra, Vasily Petrenko, Louisa Tuck, Catherine Bullock	D Minor	3	7A	86 BPM
Umi e (Toward the Sea): III - Cape Cod	Toru Takemitsu, Robert Aitken, Toronto New Music Ensemble	A♭ Major	0	4B	73 BPM
Lamentate: Fragile	Arvo Pärt, Alexei Lubimov, Andrey Boreyko, Radio-Sinfonieorchester Stuttgart	D Major	1	10B	126 BPM
Daphnis et Chloé, M. 57 / Première partie: Lycénion entre - Lent - mois lent - Très libre	Maurice Ravel, Berliner Philharmoniker, Pierre Boulez	D♭ Major	0	3B	135 BPM
Verklärte Nacht, Op. 4: Adagio (bar 229)	Arnold Schoenberg, Robert Craft, CBC Symphony Orchestra	D Minor	2	7A	172 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 1.0933756828308105

End: 1.096872091293335