"Uaxuctum: III. —" by Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel was released on January 30, 2007. With this song being around four minutes long, at 3:42, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 13 in the song's album "Scelsi: The Orchestral Works, Vol. 2". In this album, this song's track order is #7. Furthermore, we believe that the track originated from United States. Uaxuctum: III. — is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Uaxuctum: III. — by Giacinto Scelsi, Concentus Vocalis Griesensis, Vienna Radio Symphony Orchestra, Peter Rundel having a BPM of 85 with a half-time of 42 BPM and a double-time of 170 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Trumpet Concerto No. 1 in C Minor: I. Allegro con fuoco | Vladimir Peskin, Selina Ott, Vienna Radio Symphony Orchestra, Roberto Paternostro | A♭ Major | 1 | 4B | 90 BPM | ||
Suite No. 3 in D, BWV 1068: Air on the G String | Johann Sebastian Bach, The Listening Room Ensemble, Clara Rockmore | D Major | 3 | 10B | 83 BPM | ||
Six Encores: Wasserklavier | Luciano Berio, Andrea Lucchesini | D♭ Major | 0 | 3B | 82 BPM | ||
Hyperprism | Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee | D♭ Major | 3 | 3B | 143 BPM | ||
Mon ami, my friend | Kurt Weill, Marianne Faithfull, Vienna Radio Symphony Orchestra | E Minor | 3 | 9A | 168 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: III. Adagio | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | B♭ Minor | 0 | 3A | 82 BPM | ||
Sinfonietta, Op. 23: I. Sehr lebhaft | Alexander von Zemlinsky, Vienna Radio Symphony Orchestra, Susanna Mälkki | D♭ Major | 1 | 3B | 87 BPM | ||
Black Angels: II. Absence | George Crumb, Kronos Quartet | G Minor | 0 | 6A | 115 BPM | ||
Lacrimosa | Peter Sculthorpe, Giovanni Sollima, Giacinto Scelsi, Mario Brunello | D Minor | 0 | 7A | 131 BPM | ||
Das Rheingold: Vorspiel | Richard Wagner, Wiener Philharmoniker, Sir Georg Solti | D Major | 0 | 10B | 78 BPM |
Section: 1.0411880016326904
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