"Sinfonietta, Op. 23: I. Sehr lebhaft" by Alexander von Zemlinsky, Vienna Radio Symphony Orchestra, Susanna Mälkki was released on April 3, 2020. Since Sinfonietta, Op. 23: I. Sehr lebhaft is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. This song is part of Zemlinsky: Sinfonietta, Op. 23, 6 Songs, Op. 13 & Der König Kandaules, Op. 26 (Excerpts) by Alexander von Zemlinsky, Vienna Radio Symphony Orchestra, Susanna Mälkki, Gerd Albrecht. The song's track number on the album is #1 out of 11 tracks. Based on our data, Germany was the country where this track was produced or recorded. Sinfonietta, Op. 23: I. Sehr lebhaft is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Sinfonietta, Op. 23: I. Sehr lebhaft by Alexander von Zemlinsky, Vienna Radio Symphony Orchestra, Susanna Mälkki has a tempo of 87 beats per a minute, the tempo markings of this song would be Andante (at a walking pace). With Sinfonietta, Op. 23: I. Sehr lebhaft being at 87 BPM, the half-time would be 44 BPM with a double-time of 174 BPM.In addition, we consider the tempo speed to be pretty slow for this song. This makes this song perfect for activities such as, yoga or pilates. The time signature for this track is 4/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
String Quartet No. 3, Op. 19: IV. Burleske: Sehr lebhaft, Allegro moderato | Alexander von Zemlinsky, Escher String Quartet | F Major | 2 | 7B | 100 BPM | ||
Ländliche Tänze, Op. 1: No. 9, Ländler-Tempo | Alexander von Zemlinsky, Emanuele Torquati | A Major | 0 | 11B | 79 BPM | ||
Symphony No. 3 in F Major, Op. 90: IV. Allegro - Un poco sostenuto (4) | Johannes Brahms, Netherlands Philharmonic Orchestra, Jaap Van Zweden | F Major | 0 | 7B | 67 BPM | ||
Pulcinella, Ballet in One Act After Pergolesi for Soprano, Tenor, Bass, Soloists and Orchestra: XIII. Allegro alla breve | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra | G Minor | 0 | 6A | 140 BPM | ||
Suite No.2 from "Namouna": No. 5, Presto | Édouard Lalo, Estonian National Symphony Orchestra, Neeme Järvi | G Minor | 2 | 6A | 179 BPM | ||
Divertimento, Op.18: I. Prelude. Moderato | Lennox Berkeley, Sinfonia Of London, John Wilson | D♭ Major | 1 | 3B | 119 BPM | ||
Serenade for Strings in C, Op. 48: 3. Elégie: Larghetto elegiaco | Pyotr Ilyich Tchaikovsky, Saito Kinen Orchestra, Seiji Ozawa | D Major | 1 | 10B | 69 BPM | ||
Zigeunerlieder Op. 103: II. Hochgetürmte Rimaflut | Johannes Brahms, Anne Sofie von Otter, Bengt Forsberg | E Major | 0 | 12B | 81 BPM | ||
Viens, mon bien-aimé | Cécile Chaminade, Sivan Goldman, Shira Shaked | G Major | 1 | 9B | 168 BPM | ||
Trumpet Concerto in B-Flat Major, Op. 94: III. Fanfares: IV | Mieczysław Weinberg, Sergei Nakariakov, Christian Lindberg, Liepaja Symphony Orchestra | D Minor | 4 | 7A | 93 BPM |
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