Lennox Berkeley, Sinfonia Of London, John Wilson's 'Divertimento, Op.18: I. Prelude. Moderato' came out on February 9, 2024. With this song being around four minutes long, at 3:43, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 12 in the song's album "Ravel, Berkeley, Pounds: Orchestral Works". In this album, this song's track order is #5. Furthermore, we believe that the track originated from United Kingdom. In terms of popularity, Divertimento, Op.18: I. Prelude. Moderato is currently unknown. Although the tone can be danceable to some, this track does projects more of a negative sound rather than a postive one.
With Divertimento, Op.18: I. Prelude. Moderato by Lennox Berkeley, Sinfonia Of London, John Wilson having a BPM of 119 with a half-time of 60 BPM and a double-time of 238 BPM, we would consider this track to have a Moderato (at a moderate speed) tempo marking. Because of this, we believe that the song has an overall moderate tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of D♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
14 Songs, Op. 34: No. 14, Vocalise (Arr. M. McHale for Flute, Clarinet & Piano) | Sergei Rachmaninoff, McGill / McHale Trio | D♭ Minor | 0 | 12A | 65 BPM | ||
Fugitive Visions of Mozart: III. Allegro | Valentin Silvestrov, Johannes Moser, Vadim Gluzman, Andreï Korobeinikov | G Major | 0 | 9B | 65 BPM | ||
Printemps, Op. 18 | Darius Milhaud, Mauro Tortorelli, Angela Meluso | A Major | 1 | 11B | 100 BPM | ||
Purcell: Funeral Sentences: Thou Know'st, Lord, Z. 58C (First Verse) | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 1 | 5A | 83 BPM | ||
Gloria, FP 144: 2. Laudamus te | Francis Poulenc, Kathleen Battle, Boston Symphony Orchestra, Seiji Ozawa, Tanglewood Festival Chorus, John Oliver | F Major | 2 | 7B | 139 BPM | ||
A. Scotto: Orchestral Sketch n.°2 | Aurelio Scotto, Symphony Chamber Orchestra 2001 | A Minor | 2 | 8A | 132 BPM | ||
Sonatina for Flute & Guitar, Op. 205: I. Allegretto grazioso | Mario Castelnuovo-Tedesco, Irene Kalisvaart, Britta Jacobs | C Major | 1 | 8B | 118 BPM | ||
Morning Song No. 2, Op. 15 | Edward Elgar, Rachel Talitman, Marcos Fregnani-Martins, Pierre Henri Xuereb | E♭ Major | 0 | 5B | 127 BPM | ||
An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) | Franz Schubert, Marianna Shirinyan, Torleif Thedéen | D Major | 0 | 10B | 132 BPM | ||
Aequali No. 1, WAB 114 | Anton Bruckner, Mark Templeton, Helen Vollam, Patrick Jackman, Nigel Short | C Minor | 0 | 5A | 69 BPM |
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