"An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen)" by Franz Schubert, Marianna Shirinyan, Torleif Thedéen was released on May 10, 2024. The duration of An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) is about 3 minutes long, at 3:02. Based on our data, "An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen)" appears to be safe for all ages and is not considered explicit. This track is about the average length of a typical track. Because this song is the only song in An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) and no other songs are present in the album, we classify this track as a single. Going off of the ISRC code of this track, we detected that the origin of this track is from Norway. Based on our statistics, An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen)'s popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of An die Musik, D. 547 (arr. for cello and piano by Torleif Thedéen) by Franz Schubert, Marianna Shirinyan, Torleif Thedéen is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 3/4.
D Major is the music key of this track. This also means that this song has a camelot key of 10B. So, the perfect camelot match for 10B would be either 10B or 11A. While, 11B can give you a low energy boost. For moderate energy boost, you would use 7B and a high energy boost can either be 12B or 5B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 10A or 9B will give you a low energy drop, 1B would be a moderate one, and 8B or 3B would be a high energy drop. Lastly, 7A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Galop and 8 Ecoissaises, D.735: Galop | Franz Schubert, Pierre-Laurent Aimard | B Major | 0 | 1B | 74 BPM | ||
Drei Romanzen: I Allegro molto | Clara Schumann, Christoph Richter, Dénes Várjon | D♭ Major | 0 | 3B | 85 BPM | ||
Nocturne in C-Sharp Minor, B. 49 (Arr. for Cello Quartet by Sabina Meck) | Frédéric Chopin, Polish Cello Quartet | D♭ Minor | 0 | 12A | 124 BPM | ||
Lili'uokalani: アロハ・オエ | クイーン・リリウオカラニ, Mariko Senju, 山洞 智 | B♭ Major | 1 | 6B | 119 BPM | ||
Five Melodies, Op. 35b: II. Lento, ma non Troppo | Sergei Prokofiev, Stefan Hempel, Daniel Seroussi | D Major | 1 | 10B | 67 BPM | ||
7 Piano Pieces, Op. 1: No. 6, Pastorale | Halfdan Cleve, Eva Knardahl | A Minor | 0 | 8A | 75 BPM | ||
Cello Concerto in E Minor, Op. 85: III. Adagio | Edward Elgar, Gabriel Schwabe, ORF Vienna Radio Symphony Orchestra, Christopher Ward | B♭ Major | 0 | 6B | 92 BPM | ||
Great Dramatic Sonata "Titus et Bérénice" for Cello and Piano: III. Lento tristamente | Rita Strohl, Sandra Lied Haga, Katya Apekisheva | D♭ Minor | 0 | 12A | 98 BPM | ||
The Lark in the Clear Air (Arr. for Piano Trio by Thomas Christopher Kelly) | Traditional, Lynda O'Connor, Gerald Peregrine, Antony Ingham | E♭ Major | 0 | 5B | 130 BPM | ||
Sonata No. 5 in E Minor, RV 40: IV. Allegro | Ashima Scripp, Eleanor Perrone | E Minor | 2 | 9A | 117 BPM |
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