"Hyperprism" by Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee was released on May 27, 2008. With this song being around four minutes long, at 3:46, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. This song is part of Varese: Orchestral Works, Vol. 2 - Ameriques / Equatorial / Nocturnal / Ionisation by Edgard Varèse, Christopher Lyndon-Gee. The song's track number on the album is #6 out of 9 tracks. Based on our statistics, Hyperprism's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Hyperprism by Edgard Varèse, Polish National Radio Symphony Orchestra, Christopher Lyndon-Gee has a tempo of 143 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Hyperprism being at 143 BPM, the half-time would be 72 BPM with a double-time of 286 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, jogging or cycling. The time signature for this track is 5/4.
D♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 3B. So, the perfect camelot match for 3B would be either 3B or 4A. While, 4B can give you a low energy boost. For moderate energy boost, you would use 12B and a high energy boost can either be 5B or 10B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 3A or 2B will give you a low energy drop, 6B would be a moderate one, and 1B or 8B would be a high energy drop. Lastly, 12A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Shaker Loops (version for string orchestra): A Final Shaking | John Adams, Bournemouth Symphony Orchestra, Marin Alsop | C Major | 0 | 8B | 78 BPM | ||
14 Songs, Op. 34, No. 14. Vocalise: 14 Songs, Op. 34: No. 14, Vocalise (Arr. For theremin and piano) | Sergei Rachmaninoff, Clara Rockmore, Nadia Reisenberg | D♭ Minor | 1 | 12A | 95 BPM | ||
Wozzeck / Act III: Scene IV: Forest Path by a Pool. "Das Messer? Wo ist das Messer?" | Alban Berg, Heinz Zednik, Franz Grundheber, Aage Haugland, Wiener Philharmoniker, Claudio Abbado | F Minor | 1 | 4A | 82 BPM | ||
L'Amour de loin, Premier acte: Traversée | Kaija Saariaho, Kent Nagano, Deutsches Symphonie-Orchester Berlin | B♭ Minor | 3 | 3A | 48 BPM | ||
Alpine Symphony: Night | Richard Strauss, Rico Saccani, Budapest Philharmonic Orchestra | B♭ Minor | 3 | 3A | 81 BPM | ||
4 Pezzi (Su una nota sola): I. — | Giacinto Scelsi, Vienna Radio Symphony Orchestra, Peter Rundel | B♭ Major | 0 | 6B | 87 BPM | ||
Varèse : Offrandes : I Chanson de Là-haut | Edgard Varèse, Kent Nagano, Orchestra National de Radio France | D Minor | 0 | 7A | 93 BPM | ||
Preludes in Quarter-Tone System: IV | Ivan Wyschnegradsky, Josef Christof, Steffen Schleiermacher | F♯ Major | 4 | 2B | 148 BPM | ||
Kontakte | Karlheinz Stockhausen | D Major | 3 | 10B | 76 BPM | ||
Music for Strings, Percussion and Celesta, Sz. 106: II. Allegro | Béla Bartók, Chicago Symphony Orchestra, Sir Georg Solti | D♭ Major | 2 | 3B | 142 BPM |
Section: 0.8969194889068604
End: 0.9019134044647217