"Black Angels, 13 Images from the Dark Land, Pt. 1 "Departure" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 1, Threnody I. Night of the Electric Insects" by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo was released on October 3, 2006. With Black Angels, 13 Images from the Dark Land, Pt. 1 "Departure" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 1, Threnody I. Night of the Electric Insects being less than two minutes long, at 1:29, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The song is number 6 out of 18 in Crumb: Black Angels & Music for a Summer Evening "Makrokosmos III" by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo. Black Angels, 13 Images from the Dark Land, Pt. 1 "Departure" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 1, Threnody I. Night of the Electric Insects is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Black Angels, 13 Images from the Dark Land, Pt. 1 "Departure" (Arr. J.P. Izquierdo for String Quartet & Orchestra): No. 1, Threnody I. Night of the Electric Insects by George Crumb, Cuarteto Latinoamericano, Carnegie Mellon Philharmonic Orchestra, Juan Pablo Izquierdo is Andante (at a walking pace), since this song has a tempo of 83 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 3/4.
This song is in the music key of B♭ Minor. Because this track belongs in the B♭ Minor key, the camelot key is 3A. So, the perfect camelot match for 3A would be either 3A or 2B. While, a low energy boost can consist of either 3B or 4A. For moderate energy boost, you would use 12A and a high energy boost can either be 5A or 10A. However, if you are looking for a low energy drop, finding a song with a camelot key of 2A would be a great choice. Where 6A would give you a moderate drop, and 1A or 8A would be a high energy drop. Lastly, 6B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Rothko Chapel 4 | Morton Feldman | A Minor | 0 | 8A | 82 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Up in the Night Sky | KiriVi | C Minor | 0 | 5A | 160 BPM | ||
L'Oiseau de feu (1911 Version): XVIII. Réveil de Kastchei - Mort de Kastchei - Profondes tenèbres | Igor Stravinsky, Orchestre de Paris, Klaus Mäkelä | B♭ Minor | 1 | 3A | 113 BPM | ||
Preludio | Giuseppe Bruni, Fortibus Ensemble | B♭ Major | 0 | 6B | 168 BPM | ||
Schoenberg: 6 Little Piano Pieces, Op. 19: No. 1 Leicht, zart | Arnold Schoenberg, Daniel Barenboim, Chicago Symphony Orchestra | A Minor | 0 | 8A | 69 BPM | ||
Concerto for Marimba and Vibraphone, "Mircea's Song Will Live in Yours": III. Perpetuum mobile | Maya Badian, Ludmila Amelina, Moldova Tele-Radio National Symphony Orchestra, Gheorghe Mustea | B♭ Minor | 3 | 3A | 90 BPM | ||
Cello Concerto: IV. Finale | Kirmo Lintinen, Trey Lee, English Chamber Orchestra, Emilia Hoving | G Major | 2 | 9B | 85 BPM | ||
Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus | György Ligeti, Reinbert de Leeuw | C Major | 1 | 8B | 114 BPM | ||
Quatuor pour la fin du Temps: III. Abîme des oiseaux | Olivier Messiaen, Martin Fröst | G Major | 0 | 9B | 131 BPM |
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