György Ligeti, Reinbert de Leeuw made "Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus" available on April 1, 2003. With Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus being less than two minutes long, at 1:05, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in György Ligeti, Jonathan Nott, Berliner Philharmoniker's "Ligeti : Project Vol.4 - Hamburg Concerto, Double Concerto, Requiem & Ramifications" album is number 3 out of 14. In terms of popularity, Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus is currently not that popular. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Ligeti : Hamburg Concerto : III Aria, Aksak, Hoketus by György Ligeti, Reinbert de Leeuw to be Moderato (at a moderate speed) because the track has a tempo of 114 BPM, a half-time of 57BPM, and a double-time of 228 BPM. Based on that, the speed of the song's tempo is moderate. The time signature for this track is 3/4.
This song is in the music key of C Major. This also means that this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
4 Pieces, Op. 51 (arr. Rogal-Levitsky): Fragilite, Op. 51, No. 1 | Alexander Scriabin, Konstantin Scherbakov, Moscow Symphony Orchestra, Igor Golovschin | E♭ Major | 0 | 5B | 77 BPM | ||
Girls of the Golden West: Lola Montez Does the Spider Dance | John Adams, ORF Vienna Radio Symphony Orchestra, Marin Alsop | B♭ Major | 0 | 6B | 82 BPM | ||
Three Latin Prayers for solo voice: Ave Maria for violoncello solo | Giacinto Scelsi, Frances-Marie Uitti | E Minor | 0 | 9A | 80 BPM | ||
Twelve Preludes For Piano (1953): I | Galina Ustvolskaya, Marianne Schroeder | D Minor | 0 | 7A | 68 BPM | ||
Kammermusik No. 1, Op.24 No.1: I. Sehr schnell und wild | Paul Hindemith, Claudio Abbado;Berliner Philharmoniker, Claudio Abbado, Berliner Philharmoniker | B Major | 4 | 1B | 137 BPM | ||
Konzert Für Horn Und Orchester Nr. 1 Es-dur Kv 412 - Allegro B | Marie Luise Neunecker, Camerata Bern, Thomas Füri | D Major | 1 | 10B | 119 BPM | ||
Scherzino For Horn And String Orchestra, WoO I/6 | Max Reger, Marie Luise Neunecker, Bamberg Symphony, Horst Stein | E♭ Major | 0 | 5B | 84 BPM | ||
Apartment House 1776: Harmony No. 1, Cookfield | John Cage, Arditti Quartet | G Major | 0 | 9B | 104 BPM | ||
Reflections on the Nature of Water: IV. Gently swelling | Jacob Druckman, Group for Contemporary Music | C Minor | 0 | 5A | 157 BPM | ||
String Quartet No. 9 in E-Flat Major, Op. 117: V. Allegro | Dmitri Shostakovich, Carducci String Quartet | D♭ Major | 0 | 3B | 83 BPM |
Section: 0.6269237995147705
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