"Violin Concerto "Distant Light": Cadenza III" by Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu was released on May 1, 2020. With this song being around four minutes long, at 4:01, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 21 in the song's album "Pēteris Vasks: Distant Light, Piano Quartet & Summer Dances". In this album, this song's track order is #7. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Violin Concerto "Distant Light": Cadenza III's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Violin Concerto "Distant Light": Cadenza III by Pēteris Vasks, Vadim Gluzman, Finnish Radio Symphony Orchestra, Hannu Lintu having a BPM of 141 with a half-time of 70 BPM and a double-time of 282 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 4/4.
This song has a musical key of B♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 6B. So, the perfect camelot match for 6B would be either 6B or 7A. While, 7B can give you a low energy boost. For moderate energy boost, you would use 3B and a high energy boost can either be 8B or 1B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 6A or 5B will give you a low energy drop, 9B would be a moderate one, and 4B or 11B would be a high energy drop. Lastly, 3A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
My Sweet and Tender Beast - Waltz | Samvel Mkhitaryan, Obatnina Tatyana | D Major | 0 | 10B | 77 BPM | ||
Dining With Lectre | Peter Gundry | G Minor | 2 | 6A | 75 BPM | ||
Saint- Saëns: Introduction and Rondo Capriccioso, Op. 28 | Camille Saint-Saëns, Min Kym | A Minor | 1 | 8A | 90 BPM | ||
The Last Rose of Summer, "Polyphonic Study No. 6": Introduction. Moderato - Tema. Andante non troppo - Variations I, II, III, IV - Finale | Heinrich Wilhelm Ernst, Ning Feng | G Major | 1 | 9B | 115 BPM | ||
Märchentänze (Orchestral Version): I. — | Thomas Adès, Pekka Kuusisto, Finnish Radio Symphony Orchestra, Nicholas Collon | D♭ Minor | 0 | 12A | 62 BPM | ||
Stravinsky: Le Chant du rossignol: III. Chant du rossignol | Igor Stravinsky, Finnish Radio Symphony Orchestra, Jukka-Pekka Saraste | C Major | 1 | 8B | 145 BPM | ||
The Four Seasons - Winter in F Minor, RV. 297: III. Allegro – Lento – Allegro | Antonio Vivaldi, Adrian Chandler, La Serenissima | F Minor | 2 | 4A | 95 BPM | ||
Violin Concerto No. 5 in D Major, Op. 22: III. Rondo. Allegretto | Friedrich Seitz, Hyejin Chung, Warren Lee | D Major | 1 | 10B | 111 BPM | ||
Concerto for Double Bass and Orchestra: I. Allegro | Serge Koussevitzky, Gary Karr, Alfredo Antonini, Oslo Philharmonic Orchestra | F♯ Minor | 1 | 11A | 109 BPM | ||
L'Estate (Summer) Op. 8 No. 2 in G minor: I. Allegro non molto | Antonio Vivaldi, Luka Sulic, Luigi Piovano, Archi dell'Accademia di Santa Cecilia | C Minor | 3 | 5A | 77 BPM |
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