Leo Nucci, Salotto Ottocento Ensemble's 'La serenata di Don Giovanni' came out on January 14, 2014. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 15 in the song's album "Parlami d'amore Mariù (feat. Salotto Ottocento Ensemble)". In this album, this song's track order is #13. La serenata di Don Giovanni is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With La serenata di Don Giovanni by Leo Nucci, Salotto Ottocento Ensemble having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
This song is in the music key of G Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) | Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra | E♭ Major | 2 | 5B | 0 BPM | ||
Giordano : Andrea Chénier : Act 4 "Come un bel dì di maggio" [Andrea Chénier] | Umberto Giordano, José Cura, Philharmonia Orchestra | D♭ Minor | 2 | 12A | 84 BPM | ||
Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) | Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic | C Minor | 3 | 5A | 80 BPM | ||
La forza dell’amore e dell’odio: "Vado a morir" | Francesco Araia, Cecilia Bartoli, I Barocchisti, Diego Fasolis | E Minor | 2 | 9A | 176 BPM | ||
Otello / Act 2: "Sì, pel ciel marmoreo giuro!" - Live | Giuseppe Verdi, Luciano Pavarotti, Leo Nucci, Chicago Symphony Orchestra, Sir Georg Solti | B Minor | 6 | 10A | 89 BPM | ||
Turandot, Act 2: "in Questa Reggia" | Birgit Nilsson | D Major | 3 | 10B | 85 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Glou, glou, glou (Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | C Major | 0 | 8B | 101 BPM | ||
Orphée aux enfers, ACT 2, Quatrième tableau: les Enfers: Ne regarde pas en arrière! (finale) (L'Opinion Publique/Jupiter/Les Diuex/Orphee/Eurydice) | Jacques Offenbach, Laurent Naouri/Jean-Paul Fouchécourt/Yann Beuron/Eva Podles/Choeurs de l'Opéra National de Lyon/Orchestre de l'Opéra National de Lyon/Orchestre de Chambre de Grenoble/Marc Minkowski, Marc Minkowski, Sébastien Rouland, Choeur & Orchestre De L'Opéra National De Lyon, Orchestre de Chambre de Grenoble, Orchestre De L'Opéra National De Lyon | A Major | 3 | 11B | 108 BPM | ||
D'Hardelot / Arr Schifrin: A Tribute to Hollywood Part 3: Because | D'Hardelot, The Three Tenors, Zubin Mehta, Los Angeles Philharmonic | D Major | 3 | 10B | 86 BPM |
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