- BPM
- 0
- Key
- E♭ Major
- Camelot
- 5B
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) - Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra Information
- Acousticness
- 94%
- Danceability
- 0%
- Energy
- 17%
- Instrumentalness
- 0%
- Liveness
- 85%
- Loudness
- 64%
- Speechiness
- 0%
- Valence
- 0%
- Popularity
- 32%
- Loudness
- -21.578 dB
Summary
"Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José)" by Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra was released on 1964. With Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) being less than a minute long, we are pretty confident that this song does not contain any foul language. That being said, this song is pretty short compared to other songs. The song is number 8 out of 39 in Bizet: Carmen by Georges Bizet, Maria Callas, Georges Prêtre. Going off of the ISRC code of this track, we detected that the origin of this track is from United Kingdom. Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) BPM
The tempo marking of Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) by Georges Bizet, Maria Callas, Nicolai Gedda, Orchestre de l'Opéra National de Paris, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Paris Opera Orchestra is Larghissimo, since this song has a tempo of 0 BPM. With that information, we can conclude that the song has a slow tempo.
Bizet: Carmen, Act 1: "Quels regardes! Quelle effronterie!" (Carmen, José) Key
This song is in the music key of E♭ Major. This also means that this song has a camelot key of 5B. So, the perfect camelot match for 5B would be either 5B or 6A. While, 6B can give you a low energy boost. For moderate energy boost, you would use 2B and a high energy boost can either be 7B or 12B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 5A or 4B will give you a low energy drop, 8B would be a moderate one, and 3B or 10B would be a high energy drop. Lastly, 2A allows you to change the mood.
Recommendations
| Track | Artist | Key | Energy | Camelot | BPM | ||
|---|---|---|---|---|---|---|---|
 | Rossini: Il barbiere di Siviglia, Act 3: Recitativo. "Ah, disgraziati noi!" (Figaro, Conte, Rosina, Basilio, Bartolo, Ufficiale) | Gioachino Rossini, Beverly Sills, Nicolai Gedda, Sherrill Milnes, Renato Capecchi, Ruggero Raimondi, Michael Rippon, John Alldis Choir, Joseph Galiano, London Symphony Orchestra, James Levine, Fedora Barbieri | C Major | 2 | 8B | 65 BPM | |
 | Madama Butterfly, Act I: Quanto cielo!....Ancora un passo or via (Coro/Butterfly/Sharpless) - 1986 Remastered Version | Giacomo Puccini, Renata Scotto, Rolando Panerai, Coro del Teatro dell' Opera di Roma, Orchestra Del Teatro Dell'Opera Di Roma, Gianni Lazzari, Sir John Barbirolli | F♯ Major | 2 | 2B | 87 BPM | |
 | Carmen / Act 2: Chanson: "Les tringles des sistres tintaient" | Georges Bizet, Christine Barbaux, Agnes Baltsa, Jane Berbié, Berliner Philharmoniker, Herbert von Karajan | C Major | 1 | 8B | 106 BPM | |
 | Fedora / Act 2: "Amor ti vieta" | Umberto Giordano, Luciano Pavarotti, National Philharmonic Orchestra, Oliviero de Fabritiis | C Major | 2 | 8B | 90 BPM | |
 | Adriana Lecouvreur / Act 1: Io son l'umile ancella | Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras | A♭ Major | 1 | 4B | 89 BPM | |
 | Pagliacci / Act 1: "Vesti la giubba" | Ruggero Leoncavallo, José Carreras, London Symphony Orchestra, Jesús López-Cobos | E Major | 2 | 12B | 75 BPM | |
 | Les Contes d'Hoffmann (1989 Digital Remaster), Act III: Entr'acte et Barcarolle: Belle nuit, ô nuit d'amour (Une voix/Giulietta/Choeurs) | Jacques Offenbach, Nicolai Gedda, Elisabeth Schwarzkopf, Victoria de los Ángeles, Gianna D'Angelo, Christiane Gayraud, Robert Geay, Jean-Pierre Laffage, Jean Christophe Benoit, Michel Sénéchal, Ernest Blanc, George London, Nicola Ghiuselev, André Mallabrera, Renée Faure, Jacques Pruvost, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Major | 1 | 10B | 90 BPM | |
 | Lucia di Lammermoor / Act 3: "Spargi d'amore pianto" | Gaetano Donizetti, Dame Joan Sutherland, Sherrill Milnes, Nicolai Ghiaurov, Chorus of the Royal Opera House, Covent Garden, Orchestra of the Royal Opera House, Covent Garden, Richard Bonynge | C Major | 1 | 8B | 126 BPM | |
 | Carmen (1997 - Remaster), Act II: Eh bien! vite, quelles nouvelles?.....Nous avons en tête un affaire | Georges Bizet, Maria Callas, Georges Prêtre, Orchestre du Théâtre National de l'Opéra Paris, Orchestre de l'Opéra National de Paris, Paris Opera Orchestra | F Minor | 2 | 4A | 83 BPM | |
 | Verdi: Il trovatore, Act 1 Scene 2: "Di tale amor che dirsi" (Leonora, Ines) | Giuseppe Verdi, Maria Callas, Orchestra Del Teatro Alla Scala, Milano, Herbert von Karajan | D Major | 2 | 10B | 169 BPM |
- ISRC
- GBAYC9701434
- Label
- L-M Records/RCA Records
Section: 0.660367488861084
End: 0.6634764671325684