"Pagliacci / Act 1: "Vesti la giubba"" by Ruggero Leoncavallo, José Carreras, London Symphony Orchestra, Jesús López-Cobos was released on January 1, 2009. With this song being around four minutes long, at 3:47, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in José Carreras's "Legends - Jose Carreras" album is number 8 out of 18. On top of that, Netherlands appears to be the country where this track was created. Pagliacci / Act 1: "Vesti la giubba" is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Pagliacci / Act 1: "Vesti la giubba" by Ruggero Leoncavallo, José Carreras, London Symphony Orchestra, Jesús López-Cobos to be Adagio (slowly with great expression) because the track has a tempo of 75 BPM, a half-time of 38BPM, and a double-time of 150 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of E Major. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Peer Gynt Suite No.1, Op.46: 3. Anitra's dance | Edvard Grieg, English Chamber Orchestra, Raymond Leppard | E Minor | 0 | 9A | 158 BPM | ||
La Traviata - Act. Iii - Addio Del Passato | Renata Scotto | A Minor | 1 | 8A | 72 BPM | ||
Ruslan and Ludmila: Overture | Mikhail Glinka, The USSR Bolshoy Theatre Orchestra, Yevgeny Svetlanov | F Major | 3 | 7B | 81 BPM | ||
Dvořák: Symphony No. 9 in E Minor, Op. 95, B. 178 "From the New World": I. Adagio - Allegro molto | Antonín Dvořák, Oslo Philharmonic Orchestra, Mariss Jansons | E Minor | 1 | 9A | 112 BPM | ||
Mattinata | Beniamino Gigli | E Major | 4 | 12B | 86 BPM | ||
La Mamma Morta | Umberto Giordano, Montserrat Caballé, Anton Guadagno | D Major | 1 | 10B | 76 BPM | ||
Love's Last Word Is Spoken | Mario del Monaco | G Major | 3 | 9B | 84 BPM | ||
Pagliacci / Act 2: "O Colombina, il tenero fido Arlecchin" - "Di fare il segno" | Ruggero Leoncavallo, Florindo Andreolli, Teresa Stratas, Orchestra Del Teatro Alla Scala, Milano, Georges Prêtre | A Minor | 0 | 8A | 82 BPM | ||
Guiseppe Verdi: Life and Works: Requiem: 'Rex tremendae' | Freddie Jones, Jeremy Siepmann | D♭ Major | 3 | 3B | 83 BPM | ||
Lohengrin, WWV 75 / Act III: "Treulich geführt ziehet dahin" | Richard Wagner, Renate Hasler, Gretchen Eder, Ulrike Erfurt, Marianne Sattmann, Vienna State Opera Chorus, Wiener Philharmoniker, Claudio Abbado | C Major | 1 | 8B | 75 BPM |
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