Beniamino Gigli made "Mattinata" available on December 10, 1923. The duration of Mattinata is about two minutes long, specifically at 2:11. This song does not appear to have any foul language. Mattinata's duration is considered a little bit shorter than the average duration of a typical track. The track order of this song in Beniamino Gigli's "La Leggenda di Beniamino Gigli" album is number 20 out of 25. On top of that, Germany appears to be the country where this track was created. Mattinata is not that popular right now. Based on the vibe, this track doesn't seem to be that danceable, however its valence properties can make this some somewhat danceable.
We consider the tempo marking of Mattinata by Beniamino Gigli to be Andante (at a walking pace) because the track has a tempo of 86 BPM, a half-time of 43BPM, and a double-time of 172 BPM. Based on that, the speed of the song's tempo is slow. Activities such as, yoga or pilates, can go well with this song. The time signature for this track is 4/4.
E Major is the music key of this track. This also means that this song has a camelot key of 12B. So, the perfect camelot match for 12B would be either 12B or 1A. While, 1B can give you a low energy boost. For moderate energy boost, you would use 9B and a high energy boost can either be 2B or 7B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 12A or 11B will give you a low energy drop, 3B would be a moderate one, and 10B or 5B would be a high energy drop. Lastly, 9A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Parlami D'Amore Mariù | Vittorio De Sica | E♭ Major | 3 | 5B | 83 BPM | ||
Non ti scordar di me | Claudio Villa | C Major | 5 | 8B | 94 BPM | ||
Love's Last Word Is Spoken | Mario del Monaco | G Major | 3 | 9B | 84 BPM | ||
Serenata | Enrico Toselli, I Salonisti | E Major | 1 | 12B | 90 BPM | ||
Caro mio ben (Arr. Marriner) | Tomasso Giordani, Dmitri Hvorostovsky, Academy of St. Martin in the Fields, Sir Neville Marriner | D Major | 2 | 10B | 96 BPM | ||
Louise (1997 Digital Remaster): Depuis le jour où je me suis donnée | Maria Callas, The Orchestra National De La Radiodiffusion Francaise, Georges Prêtre | G Major | 1 | 9B | 95 BPM | ||
Escena fina - Primer acto, Pt. 1 | O. Nieto, A. Vela, J.Ferre, Ángeles Ottein | F Major | 2 | 7B | 86 BPM | ||
In Quelle Trine Morbide - Manon Lescaut Atto Ii | Renata Tebaldi | D♭ Major | 2 | 3B | 93 BPM | ||
Les Contes d'Hoffmann (1989 Digital Remaster), Act I: Chanson et scène: Va pour Kleinzach! (Légende de Kleinzach: Hoffmann/Choeurs/Nathanaël) | Jacques Offenbach, Nicolai Gedda, André Cluytens, Orchestre De La Société Des Concerts Du Conservatoire | D Minor | 0 | 7A | 106 BPM | ||
Op 34, N. 2: "Auf Flügeln des Gesanges" | Victoria de los Ángeles | A♭ Major | 1 | 4B | 138 BPM |
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