"Adriana Lecouvreur / Act 1: Io son l'umile ancella" by Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras was released on January 1, 2000. With this song being around four minutes long, at 3:57, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. There are a total of 14 in the song's album "Renée Fleming". In this album, this song's track order is #6. Adriana Lecouvreur / Act 1: Io son l'umile ancella is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Adriana Lecouvreur / Act 1: Io son l'umile ancella by Francesco Cilea, Renée Fleming, London Philharmonic Orchestra, Sir Charles Mackerras having a BPM of 89 with a half-time of 44 BPM and a double-time of 178 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. Looking at the BPM of this song, this song might go great with yoga or pilates. The time signature for this track is 4/4.
A♭ Major is the music key of this track. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Cilea: Adriana Lecouvreur; Act 1: Michonnet, dalla bianca! | Francesco Cilea, Arturo Colautti, James Levine | G Minor | 1 | 6A | 122 BPM | ||
Finlandia, Op. 26 | London Philharmonic Orchestra | A♭ Major | 2 | 4B | 137 BPM | ||
Ah! Tardai troppo… O luce di quest anima (from Linda di Chamounix) | Dame Joan Sutherland, Paris Conservatoire Orchestra, Nello Santi | C Major | 1 | 8B | 109 BPM | ||
Adriana Lecouvreur (1997 Digital Remaster): Ecco: respiro appena...Io son l'umile ancella | Maria Callas, Philharmonia Orchestra, Tullio Serafin | A♭ Major | 1 | 4B | 80 BPM | ||
Samson et Dalila, Op. 47, Act II: Mon coeur s'ouvre a ta voix | Camille Saint-Saëns, Lauris Elms, Geoffrey Arnold, West Australian Symphony Orchestra | F♯ Major | 1 | 2B | 81 BPM | ||
Orfeo ed Euridice / Act 3: Aria: "Che farò senza Euridice?" | Christoph Willibald Gluck, Marilyn Horne, Orchestra of the Royal Opera House, Covent Garden, Sir Georg Solti | C Major | 2 | 8B | 106 BPM | ||
Les Contes d'Hoffmann / Act 2: O Dieu! De quelle ivresse | Jacques Offenbach, Plácido Domingo, Orchestre de la Suisse Romande, Richard Bonynge | C Major | 2 | 8B | 77 BPM | ||
Vaughan Williams: Symphony No. 4 in F Minor: I. Allegro | Ralph Vaughan Williams, Bernard Haitink, London Philharmonic Orchestra | A♭ Major | 2 | 4B | 87 BPM | ||
L'elisir d'amore / Act 1: "Bel conforto" | Gaetano Donizetti, Maria Casula, Ambrosian Opera Chorus, English Chamber Orchestra, Richard Bonynge | F Major | 3 | 7B | 56 BPM | ||
Strauss, R: 8 Gedichte aus Letzte Blätter, Op. 10: No. 1, Zueignung (Version with Orchestra) | Richard Strauss, Elisabeth Schwarzkopf, George Szell, Deutsches Symphonie-Orchester Berlin | C Major | 2 | 8B | 81 BPM |
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