"Finlandia, Op. 26" by London Philharmonic Orchestra was released on September 15, 2005. Since Finlandia, Op. 26 is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. There are a total of 99 in the song's album "The 99 Most Essential Classics of the Romantic Era". In this album, this song's track order is #52. Furthermore, we believe that the track originated from Sweden. Based on our statistics, Finlandia, Op. 26's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Finlandia, Op. 26 by London Philharmonic Orchestra having a BPM of 137 with a half-time of 68 BPM and a double-time of 274 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with walking. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Mozart: Symphony No. 40 in G Minor, K. 550: I. Molto allegro | Wolfgang Amadeus Mozart, London Philharmonic Orchestra, Sir Charles Mackerras | B♭ Major | 1 | 6B | 147 BPM | ||
Second Movement Lento Moderato | Sir Adrian Boult, Vaughan Williams, London Philharmonic Orchestra | C Major | 1 | 8B | 71 BPM | ||
Symphony No. 2: A London Symphony: 4. Andante con moto - Epilogue | Ralph Vaughan Williams, London Philharmonic Orchestra, Sir Roger Norrington | C Major | 1 | 8B | 68 BPM | ||
Pictures at an Exhibition (Orch. Ravel): I. Gnomus | Modest Mussorgsky, Wiener Philharmoniker, Gustavo Dudamel | E Major | 1 | 12B | 60 BPM | ||
Symphonie Fantastique - March To The Scaffold | Paris France Royal Philharmonic Orchestra | G Minor | 3 | 6A | 79 BPM | ||
Samson et Dalila: Bacchanale | Camille Saint-Saëns, Royal Stockholm Philharmonic Orchestra, James DePreist | D Minor | 1 | 7A | 122 BPM | ||
Adagio in G Minor | Remo Giazotto, David Parry, London Philharmonic Orchestra | C Minor | 2 | 5A | 80 BPM | ||
Violin Concerto No. 3 in G, K.216: 3. Rondo (Allegro) | Wolfgang Amadeus Mozart, Anne-Sophie Mutter, London Philharmonic Orchestra | E♭ Major | 1 | 5B | 79 BPM | ||
Bach: Brandenburg Concerto No. 2 in F Major, BWV 1047: I. (without tempo indication) | Johann Sebastian Bach, Mark Bennett, Rachel Beckett, Paul Goodwin, Monica Huggett, Orchestra of the Age of Enlightenment | E Major | 3 | 12B | 97 BPM | ||
Capriccio Espagnol: Alborada | Nikolai Rimsky-Korsakov, London Philharmonic Orchestra, Alexander Lazarev, Joakim Svenheden | B♭ Major | 3 | 6B | 126 BPM |
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