Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) - Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic Information

Acousticness: 93%
Danceability: 31%
Energy: 29%
Instrumentalness: 1%
Liveness: 75%
Loudness: 68%
Speechiness: 16%
Valence: 30%
Popularity: 26%
Loudness: -18.94 dB

Summary

Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic's 'Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live)' came out on August 1, 1994. The duration of Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) is about two minutes long, specifically at 2:21. This song does not appear to have any foul language. Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live)'s duration is considered a little bit shorter than the average duration of a typical track. There are a total of 27 in the song's album "The Three Tenors in Concert, 1994 (Live)". In this album, this song's track order is #23. Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.

Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) BPM

With Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) by Eugene Raskin, The Three Tenors, Los Angeles Music Center Opera Chorus, Zubin Mehta, Los Angeles Philharmonic having a BPM of 80 with a half-time of 40 BPM and a double-time of 160 BPM, we would consider this track to have a Andante (at a walking pace) tempo marking. Because of this, we believe that the song has an overall slow tempo. The time signature for this track is 1/4.

Raksin / Arr. Schifrin: Around the World: Those Were the Days (Live) Key

C Minor is the music key of this track. Which also means that the camelot key for this song is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.

Recommendations

Track	Artist	Key	Energy	Camelot	BPM
Les Contes d'Hoffmann / Act 4: "Belle nuit, ô nuit d'amour"	Jacques Offenbach, Anne Sofie von Otter, Francisco Araiza, Cheryl Studer, MDR Leipzig Radio Chorus, Staatskapelle Dresden, Jeffrey Tate	G Major	3	9B	140 BPM
Coppélia / Tableau 1: No. 1 Valse	Léo Delibes, Orchestre de la Suisse Romande, Richard Bonynge	C Minor	1	5A	75 BPM
Aida / Act 2: Marcia	Giuseppe Verdi, Orchestra del Maggio Musicale Fiorentino, Zubin Mehta	F Minor	2	4A	130 BPM
Mozart: Le nozze di Figaro, Act 2: "Porgi amor qualche ristoro" (La Contessa)	Wolfgang Amadeus Mozart, Daniel Barenboim, Berliner Philharmoniker, Lella Cuberli	E♭ Major	1	5B	178 BPM
Delibes : Lakmé : Act 2 The Bell Song [Lakmé]	Léo Delibes, Sumi Jo, Paolo Olmi, Monte-Carlo Philharmonic Orchestra	G Major	1	9B	132 BPM
O Sole Mio - Digitally remastered	Beniamino Gigli	G Major	2	9B	70 BPM
Turandot - Nesum dorma	Virtuosi Di Praga, Alberto Jelmoni	D Major	2	10B	79 BPM
Noches de Viena	Orquesta Filarmonica de Rumania	D Major	3	10B	174 BPM
De Curtis / Arr. Lozi: Tu, ca nun chiagne (Live)	Ernesto de Curtis, José Carreras, Zubin Mehta, Los Angeles Philharmonic	D Minor	3	7A	90 BPM
Hebrew Slaves Chorus from Nabucco	The London Symphony Orchestra - The London Symphony Chorus	D♭ Major	0	3B	69 BPM

ISRC: This song does not have an ISRC.
Label: L-M Records/RCA Records

Section: 0.8017876148223877

End: 0.8057341575622559