"When David heard" by Thomas Tomkins, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster was released on August 1, 2010. With this song being around four minutes long, at 4:08, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Frederick Burgomaster's "My Spirit Rejoices" album is number 4 out of 17. On top of that, United States appears to be the country where this track was created. When David heard is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of When David heard by Thomas Tomkins, Christ Church Cathedral Choir of Men and Boys, Indianapolis, Frederick Burgomaster to be Adagio (slowly with great expression) because the track has a tempo of 73 BPM, a half-time of 36BPM, and a double-time of 146 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
This song has a musical key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Apostolo glorioso / Cum tua doctrina / Andreas Christi | Guillaume Dufay, Blue Heron, Scott Metcalfe | C Major | 2 | 8B | 166 BPM | ||
Sestina, prima parte: "Incenerite spoglie" | Claudio Monteverdi, La Chapelle Vocale de l'Université de Lausanne, Jean-Christophe Aubert | B♭ Minor | 1 | 3A | 69 BPM | ||
Miserere mei Deus (psaume L) – à 8, alternatim | Andrés Barea, Paul Van Nevel, Huelgas Ensemble | A♭ Major | 2 | 4B | 83 BPM | ||
Missa Domine a lingua dolosa: Vb. Agnus Dei II | Annibale Padovano, Cinquecento | A♭ Major | 1 | 4B | 142 BPM | ||
Threni, Lamentations of Jeremiah: III. De elegia tertia, Querimonia | Igor Stravinsky, Vladimir Jurowski, London Philharmonic Orchestra, London Philharmonic Choir, Maria Ostroukhova, Sam Furness, Joel Williams, Theodore Platt, Joshua Bloom | A Major | 2 | 11B | 67 BPM | ||
Emendemus in melius: I. Emendemus in melius | Pierre de Manchicourt, El León de Oro, Peter Phillips | G Major | 2 | 9B | 142 BPM | ||
Six chansons: I. La biche | Paul Hindemith, Ensemble vocal Aedes, Mathieu Romano | E Major | 1 | 12B | 120 BPM | ||
Искупил ны еси от клятвы законныя | Хор Сретенского монастыря | F♯ Major | 1 | 2B | 74 BPM | ||
Neue Liebe, neues Leben (Arr. Rouger for Choir & Piano) | Fanny Mendelssohn, Hannah Gries, Julia Kammerlander, figure humaine kammerchor, Denis Rouger | B♭ Major | 1 | 6B | 75 BPM | ||
Tomkins: When David heard - 3. Would God I had died for thee | Thomas Tomkins, The Tallis Scholars, Peter Phillips | C Major | 1 | 8B | 142 BPM |
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