Andrés Barea, Paul Van Nevel, Huelgas Ensemble made "Miserere mei Deus (psaume L) – à 8, alternatim" available on 2013. Since Miserere mei Deus (psaume L) – à 8, alternatim is still less than 10 minute long, it is still considered a pretty long duration song compared to the average song length. This song does not appear to be explicit due to the lack of the "E" tag. The track order of this song in Huelgas Ensemble, Paul Van Nevel's "La Oreja de Zurbarán" album is number 1 out of 8. On top of that, Belgium appears to be the country where this track was created. Miserere mei Deus (psaume L) – à 8, alternatim is not that popular right now. The overall mood can be danceable to some, especially with it's high amount of postive energy.
We consider the tempo marking of Miserere mei Deus (psaume L) – à 8, alternatim by Andrés Barea, Paul Van Nevel, Huelgas Ensemble to be Andante (at a walking pace) because the track has a tempo of 83 BPM, a half-time of 42BPM, and a double-time of 166 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 3/4.
A♭ Major is the music key of this track. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Bookes of Ayres, Book 2*: Never weather-beaten saile more willing bent to shore | Thomas Campion, Julianne Baird, Ronn McFarlane | A♭ Major | 0 | 4B | 0 BPM | ||
Diferencias sobre la Gallarda Milanesa (arr. for instrumental ensemble) | Antonio de Cabezón, Accentus Ensemble, Thomas Wimmer | E Major | 1 | 12B | 130 BPM | ||
Chansons: De plus en plus se renouvelle | Gilles Binchois, Ensemble Gilles Binchois, Dominique Vellard | A♭ Major | 0 | 4B | 69 BPM | ||
Erbarm dich mein, o Herre Gott, SWV 148 | Heinrich Schütz, Bremen Weser-Renaissance | C Major | 1 | 8B | 74 BPM | ||
Garrit Gallus flendo dolorose - In nova fert animus - Neuma (Motette) | Philippe de Vitry, Sequentia | G Major | 1 | 9B | 184 BPM | ||
Quatre Motets: Tantum ergo | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow | D♭ Minor | 1 | 12A | 66 BPM | ||
Mouton: Nesciens Mater | The Tallis Scholars, Peter Phillips | F Major | 2 | 7B | 82 BPM | ||
Missa, "In myne zin": Agnus Dei: Agnus I | Alexander Agricola, A:N:S Chorus, Janos Bali | A Minor | 2 | 8A | 79 BPM | ||
Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira | Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel | D Minor | 1 | 7A | 132 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Sanctus | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 0 | 11B | 145 BPM |
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