"Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira" by Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel was released on June 7, 2011. With this song being about 5 minutes long, at 4:45, "Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira" by Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The song is number 2 out of 13 in Dufay: O gemma lux by Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel. Going off of the ISRC code of this track, we detected that the origin of this track is from France. Based on our statistics, Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Isorhythmic Motets: O sancte Sebastiane - O martyr Sebastiane - O quam mira by Guillaume Dufay, Huelgas Ensemble, Paul Van Nevel is Allegro (fast, quick, and bright), since this song has a tempo of 132 BPM. With that information, we can conclude that the song has a fast tempo. This song can go great with walking. The time signature for this track is 4/4.
This song is in the music key of D Minor. Because this track belongs in the D Minor key, the camelot key is 7A. So, the perfect camelot match for 7A would be either 7A or 6B. While, a low energy boost can consist of either 7B or 8A. For moderate energy boost, you would use 4A and a high energy boost can either be 9A or 2A. However, if you are looking for a low energy drop, finding a song with a camelot key of 6A would be a great choice. Where 10A would give you a moderate drop, and 5A or 12A would be a high energy drop. Lastly, 10B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Tallis: Lamentations of Jeremiah I - 2. Aleph | The Tallis Scholars, Peter Phillips | F Minor | 0 | 4A | 83 BPM | ||
Terpsichore*: a. Bransle Gay 1 b. Bransle de Montirande | Michael Praetorius, Westra Aros Pipers, Bourrasque Ensemble, Bertil Färnlof | E♭ Major | 1 | 5B | 105 BPM | ||
Huc me sidereo | Adrian Willaert, Singer Pur | A Minor | 1 | 8A | 93 BPM | ||
Greensleeves (II) | John Johnson, Baltimore Consort | F Major | 1 | 7B | 90 BPM | ||
Ola, o che bon eccho! | Orlande de Lassus, Concerto Italiano, Rinaldo Alessandrini | E♭ Minor | 1 | 2A | 63 BPM | ||
The Earle of Essex Galiard from Lachrimae, or Seaven Teares | John Dowland, Fretwork, Christopher Wilson | F Minor | 1 | 4A | 107 BPM | ||
The Dancing Master: Greensleeves | John Playford, The Broadside Band, Jeremy Barlow | F Major | 0 | 7B | 182 BPM | ||
Autant en emporte | Pierre de la Rue, Capilla Flamenca, Patrick Denecker | A♭ Minor | 0 | 1A | 80 BPM | ||
D'ung aultre amer / Lhome arme | Philippe Basiron, Capilla Flamenca | E Minor | 0 | 9A | 60 BPM | ||
Chanterai por mon corage | Guiot de Dijon, Christina Clarke, Early Music Consort Of London, David Munrow | A Minor | 0 | 8A | 124 BPM |
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