"Quatre Motets: Tantum ergo" by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow was released on 1989. The duration of Quatre Motets: Tantum ergo is about two minutes long, specifically at 2:48. This song does not appear to have any foul language. Quatre Motets: Tantum ergo's duration is considered a little bit shorter than the average duration of a typical track. The song is number 12 out of 18 in Fauré/Duruflé/Messiaen by The Choir Of Trinity College, Cambridge. Quatre Motets: Tantum ergo is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
The tempo marking of Quatre Motets: Tantum ergo by Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow is Larghetto (rather broadly), since this song has a tempo of 66 BPM. With that information, we can conclude that the song has a slow tempo. The time signature for this track is 4/4.
This song is in the music key of D♭ Minor. This also means that this song has a camelot key of 12A. So, the perfect camelot match for 12A would be either 12A or 11B. While, a low energy boost can consist of either 12B or 1A. For moderate energy boost, you would use 9A and a high energy boost can either be 2A or 7A. However, if you are looking for a low energy drop, finding a song with a camelot key of 11A would be a great choice. Where 3A would give you a moderate drop, and 10A or 5A would be a high energy drop. Lastly, 3B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
The Second Dirge Anthem: Man That Is Born of a Woman – In the Midst of Life – Thou Knowest, Lord, Z. 58b | Thomas Morley, Henry Purcell, Vox Luminis, Lionel Meunier | A♭ Minor | 1 | 1A | 135 BPM | ||
Lotti: Crucifixus a 8 voci | Antonio Lotti, Philip Ledger | C Minor | 1 | 5A | 139 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Ma fin est mon commencement | Jackson Hill, New York Polyphony | A♭ Minor | 1 | 1A | 129 BPM | ||
Oedipus, Z.583: II. Music for a While | Henry Purcell, Musikhögskolans Kammarkör Piteå, Andrea Hagman, Erik Westberg | D♭ Major | 4 | 3B | 80 BPM | ||
Salvete flores | Michael Haydn, The Choir Of Trinity College, Cambridge | A♭ Major | 1 | 4B | 116 BPM | ||
Lay a garland on her hearse | Robert Lucas Pearsall, Pre-Raphaelite Singer, The, Anthony Rooley | C Minor | 1 | 5A | 129 BPM | ||
Requiem, Op. 9 (1961 version): Domine Jesu Christe | Maurice Duruflé, Didier Henry, Eric Lebrun, François Poly, Beatrice Uria-Monzon, Marc Vieillefon, Michel Piquemal Vocal Ensemble, Orchestre De La Cite, Michel Piquemal | D♭ Minor | 1 | 12A | 129 BPM | ||
4 Songs of Love: No. 1, Let Him Kiss Me | Sven-David Sandström, Sofia Vokalensemble, Bengt Ollen | E♭ Major | 0 | 5B | 80 BPM | ||
Messe "Cum jubilo": Gloria | Maurice Duruflé, The Choir Of Trinity College, Cambridge, Richard Marlow | A♭ Minor | 2 | 1A | 88 BPM |
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