"Lotti: Crucifixus a 8 voci" by Antonio Lotti, Philip Ledger was released on 1994. With this song being around four minutes long, at 3:44, the duration of this song is pretty average compared to other songs. This track is safe for children and doesn't appear to contain any foul language, since the "Explicit" tag was not present in this track. The track order of this song in Choir of King's College, Cambridge, Philip Ledger's "Music for Holy Week" album is number 11 out of 24. Based on our statistics, Lotti: Crucifixus a 8 voci's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Lotti: Crucifixus a 8 voci by Antonio Lotti, Philip Ledger to be Allegro (fast, quick, and bright) because the track has a tempo of 139 BPM, a half-time of 70BPM, and a double-time of 278 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 1/4.
C Minor is the music key of this track. Because this track belongs in the C Minor key, the camelot key is 5A. So, the perfect camelot match for 5A would be either 5A or 4B. While, a low energy boost can consist of either 5B or 6A. For moderate energy boost, you would use 2A and a high energy boost can either be 7A or 12A. However, if you are looking for a low energy drop, finding a song with a camelot key of 4A would be a great choice. Where 8A would give you a moderate drop, and 3A or 10A would be a high energy drop. Lastly, 8B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
La Favolla d'Apollo: 17. O mille volte a 8 "La Pellegrina" | Luca Marenzio, Ensemble Pygmalion, Raphael Pichon | G Major | 4 | 9B | 92 BPM | ||
I was glad when they said unto me | Hubert Parry, Christopher Dearnley, Barry Rose | B♭ Major | 3 | 6B | 84 BPM | ||
3 Sacred Hymns: No. 3. Otche nash (Our Father) | Alfred Schnittke, Bavarian Radio Chorus, Peter Dijkstra | E♭ Major | 0 | 5B | 73 BPM | ||
Ego sum pastor bonus | Wacław of Szamotuły, Collegium Vocale Bydgoszcz | F♯ Minor | 1 | 11A | 97 BPM | ||
Mass for Double Choir: II. Gloria | Frank Martin, Westminster Choir, Joe Miller | C Major | 1 | 8B | 88 BPM | ||
Messe Solennelle, Op. 16 - Agnus Dei | Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot | A♭ Major | 1 | 4B | 135 BPM | ||
Purcell: Funeral Sentences: Man That Is Born of a Woman, Z. 27 | Henry Purcell, Philip Ledger, Choir of King's College, Cambridge, Timothy Byram-Wigfield, Robert Chilcott, Jonathan Robarts, Francis Grier, Michael Cockerham | C Minor | 2 | 5A | 118 BPM | ||
Missa brevis Sancti Joannis de Deo "Little Organ Mass" XXII:7: Kyrie - Adagio | American Bach Soloists | B♭ Major | 1 | 6B | 104 BPM | ||
Kheruvimskaya pesnya (Cherubic Hymn) | Pyotr Ilyich Tchaikovsky, SWR Vokalensemble Stuttgart, Marcus Creed | E Minor | 0 | 9A | 82 BPM | ||
Requiem in F Major: Dies Irae: Judicandus | Antonio Lotti, Thomas Hengelbrock | B Minor | 2 | 10A | 84 BPM |
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