"Messe Solennelle, Op. 16 - Agnus Dei" by Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot was released on February 16, 2009. Messe Solennelle, Op. 16 - Agnus Dei is about six minutes long, preciously at 5:33, making this song fairly long compared to other songs. The track order of this song in Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Ha, Francis Bardot's "Louis Vierne, Messe Solennelle, Op. 16" album is number 5 out of 10. Based on our statistics, Messe Solennelle, Op. 16 - Agnus Dei's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Messe Solennelle, Op. 16 - Agnus Dei by Louis Vierne, Francis Bardot, Louis Vierne, Pierre Pincemaille, Choer d'Enfants de l'Opera National de Paris:Maîtrise des Hauts-de-Seine, Francis Bardot to be Allegro (fast, quick, and bright) because the track has a tempo of 135 BPM, a half-time of 68BPM, and a double-time of 270 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, walking, can go well with this song. The time signature for this track is 4/4.
This song is in the music key of A♭ Major. This also means that this song has a camelot key of 4B. So, the perfect camelot match for 4B would be either 4B or 5A. While, 5B can give you a low energy boost. For moderate energy boost, you would use 1B and a high energy boost can either be 6B or 11B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 4A or 3B will give you a low energy drop, 7B would be a moderate one, and 2B or 9B would be a high energy drop. Lastly, 1A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Adagio in F, H.XVII No.9 | Franz Joseph Haydn, Alfred Brendel | F Major | 0 | 7B | 71 BPM | ||
Mendelssohn: 6 Lieder, Op. 9: No. 6 Die Mainacht | Fanny Mendelssohn, Emmanuel Pahud, Eric Le Sage | D♭ Minor | 1 | 12A | 72 BPM | ||
Capriol Suite: 5. Pied-en- l'air | Peter Warlock, Academy of St. Martin in the Fields, Nicholas Kraemer, Sir Neville Marriner | G Major | 1 | 9B | 113 BPM | ||
Nisi Dominus, RV 608: Cum dederit - Arr. for French Horn | Antonio Vivaldi, Felix Klieser, CHAARTS Chamber Artists | F Minor | 0 | 4A | 100 BPM | ||
Kinderszenen, Op.15: 12. Kind im Einschlummern | Robert Schumann, Martha Argerich | E Minor | 0 | 9A | 123 BPM | ||
Bach - 3 chorales, P. 167: No. 3. Andante (after J.S. Bach's Wachet auf ruft uns die Stimme, BWV 645) | Ottorino Respighi, Seattle Symphony Orchestra, Gerard Schwarz | E♭ Major | 0 | 5B | 110 BPM | ||
Cello Sonata in B-Flat Major, Op. 46: II. Andante sostenuto | Louise Farrenc, David Berlin, Benjamin Martin | E♭ Major | 0 | 5B | 116 BPM | ||
Purcell : King Arthur : Air | William Christie | G Minor | 1 | 6A | 0 BPM | ||
Messe solennelle pour deux orgues et choeur, Op. 16: III. Sanctus | Louis Vierne, Michel Bouvard | E Major | 3 | 12B | 69 BPM | ||
Sonata in D Minor, K. 9 | Domenico Scarlatti, Ivo Pogorelich | D Minor | 0 | 7A | 94 BPM |
Section: 0.7394156455993652
End: 0.7448983192443848