"Requiem in F Major: Dies Irae: Judicandus" by Antonio Lotti, Thomas Hengelbrock was released on January 1, 1990. With Requiem in F Major: Dies Irae: Judicandus being less than two minutes long, at 1:52, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. The track order of this song in Antonio Lotti, Thomas Hengelbrock's "Lotti: Requiem" album is number 21 out of 30. On top of that, Germany appears to be the country where this track was created. Requiem in F Major: Dies Irae: Judicandus is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Requiem in F Major: Dies Irae: Judicandus by Antonio Lotti, Thomas Hengelbrock to be Andante (at a walking pace) because the track has a tempo of 84 BPM, a half-time of 42BPM, and a double-time of 168 BPM. Based on that, the speed of the song's tempo is slow. The time signature for this track is 4/4.
B Minor is the music key of this track. This also means that this song has a camelot key of 10A. So, the perfect camelot match for 10A would be either 10A or 9B. While, a low energy boost can consist of either 10B or 11A. For moderate energy boost, you would use 7A and a high energy boost can either be 12A or 5A. However, if you are looking for a low energy drop, finding a song with a camelot key of 9A would be a great choice. Where 1A would give you a moderate drop, and 8A or 3A would be a high energy drop. Lastly, 1B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
April is in my mistress' face | Thomas Morley, Trinity Baroque, Julian Podger | F Major | 2 | 7B | 134 BPM | ||
Requiem canticorum: Lux aeterna | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | F♯ Minor | 1 | 11A | 133 BPM | ||
Song of Cherubs: Izhe Kheruvimi (Cherubic Hymn): No. 7 in D Major | St. Petersburg Optina Pustyn Male Choir | A Major | 2 | 11B | 130 BPM | ||
Cherubic Hymn, Op. 7, No. 1 | Pavel Chesnokov, Conspirare, Craig Hella Johnson | B Minor | 1 | 10A | 145 BPM | ||
Son of God Mass: Amen | James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan | C Major | 2 | 8B | 88 BPM | ||
Psalm 130: Aus der Tiefe reufe ich, Herr, zu Dir | Heinrich Kaminski, Priska Eser-Streit, Munich Orpheus Choir, Gerd Guglhör | D Minor | 1 | 7A | 81 BPM | ||
Liturgy of St. John Chrysostom: No. 4, Only-Begotten Son (The Hymn of Justinian) | Benedict Sheehan, The Saint Tikhon Choir | F Minor | 1 | 4A | 138 BPM | ||
The Third Dirge Anthem: I Heard a Voice from Heaven | Thomas Morley, Vox Luminis, Lionel Meunier, Les Trompettes des Plaisirs, Jean-François Madeuf | A♭ Minor | 0 | 1A | 133 BPM | ||
Kyrie in B Major: Kyrie | Antonio Lotti, Henrik Hirschberg, Antal Pálkövi, Lotti Chamber Choir, Camerata Pro Musica Chamber Orchestra, Ferenc Rózsa | G Major | 1 | 9B | 140 BPM | ||
Resveillez-vous, chacun fidèle | Jan Pieterszoon Sweelinck, Cappella Amsterdam, Daniel Reuss | E Minor | 2 | 9A | 141 BPM |
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