"Requiem canticorum: Lux aeterna" by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan was released on September 6, 2011. With Requiem canticorum: Lux aeterna being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. This song is part of Whitbourn: Living Voices by James Whitbourn, Westminster Williamson Voices, James Jordan. The song's track number on the album is #19 out of 20 tracks. Based on our data, Hong Kong was the country where this track was produced or recorded. Based on our statistics, Requiem canticorum: Lux aeterna's popularity is below average in popularity right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
Since Requiem canticorum: Lux aeterna by James Whitbourn, Westminster Williamson Voices, Jeremy Powell, Ken Cowan, James Jordan has a tempo of 133 beats per a minute, the tempo markings of this song would be Allegro (fast, quick, and bright). With Requiem canticorum: Lux aeterna being at 133 BPM, the half-time would be 66 BPM with a double-time of 266 BPM.In addition, we consider the tempo speed to be pretty fast for this song. This makes this song perfect for activities such as, walking. The time signature for this track is 5/4.
This song is in the music key of F♯ Minor. Or for those who are familiar with the camelot wheel, this song has a camelot key of 11A. So, the perfect camelot match for 11A would be either 11A or 10B. While, a low energy boost can consist of either 11B or 12A. For moderate energy boost, you would use 8A and a high energy boost can either be 1A or 6A. However, if you are looking for a low energy drop, finding a song with a camelot key of 10A would be a great choice. Where 2A would give you a moderate drop, and 9A or 4A would be a high energy drop. Lastly, 2B allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Requiem: Kyrie | Johannes Ockeghem, Musica Ficta, Bo Holten | G Major | 1 | 9B | 73 BPM | ||
Variations on an Original Theme, Op. 36, "Enigma": Variation 9: Nimrod (arr. W.H. Harris for organ): Enigma Variations, Op. 36: No. 9. Nimrod (arr. W.H. Harris) | William Henry Harris, Edward Elgar, Martin Souter | E♭ Major | 0 | 5B | 75 BPM | ||
Songs of the Questioner: III. Orbits | Thomas LaVoy, The Same Stream, Corey Everly, James Jordan | F Major | 0 | 7B | 68 BPM | ||
Mountain Night I | Zoltán Kodály, Mikrokosmos, Loïc Pierre | A Minor | 0 | 8A | 111 BPM | ||
Annelies (Chamber Version): II. The Capture Foretold [Live] | James Whitbourn, Festival Chorus, Richard MacDowell, Max Buckholtz, Brad Holtman, Eun-Joo Kwak, Peggy Dettwiler | C Minor | 0 | 5A | 79 BPM | ||
Walford Davies: A Short Requiem - De profundis clamavi (Psalm 130) | The Chapel Choir of Pembroke College, Cambridge | D Major | 0 | 10B | 94 BPM | ||
Allegri: Miserere - 01. Miserere Mei, Deus | The Tallis Scholars, Peter Phillips | B♭ Major | 1 | 6B | 135 BPM | ||
Christmas Troparion (Inexpressible Wonder, No.4) | Georgy Sviridov, Conspirare, Craig Hella Johnson | D♭ Major | 1 | 3B | 71 BPM | ||
Tallis: Sancte Deus - 1. Sancte Deus | The Tallis Scholars, Peter Phillips | A Minor | 1 | 8A | 104 BPM | ||
The Beatitudes | Paul Mealor, Voce, Mark Singleton | B Major | 0 | 1B | 66 BPM |
Section: 0.6212308406829834
End: 0.6245877742767334