"Tomkins: When David heard - 3. Would God I had died for thee" by Thomas Tomkins, The Tallis Scholars, Peter Phillips was released on January 1, 1991. With Tomkins: When David heard - 3. Would God I had died for thee being less than two minutes long, at 1:39, we are fairly confident that this song is not explicit and is safe for all ages. Based on the duration of this song, this song duration is much smaller than the average song duration. There are a total of 63 in the song's album "Thomas Tomkins - The Great Service". In this album, this song's track order is #38. Furthermore, we believe that the track originated from United Kingdom. Based on our statistics, Tomkins: When David heard - 3. Would God I had died for thee's popularity is not that popular right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
With Tomkins: When David heard - 3. Would God I had died for thee by Thomas Tomkins, The Tallis Scholars, Peter Phillips having a BPM of 142 with a half-time of 71 BPM and a double-time of 284 BPM, we would consider this track to have a Allegro (fast, quick, and bright) tempo marking. Because of this, we believe that the song has an overall fast tempo. Looking at the BPM of this song, this song might go great with jogging or cycling. The time signature for this track is 1/4.
This song has a musical key of C Major. Or for those who are familiar with the camelot wheel, this song has a camelot key of 8B. So, the perfect camelot match for 8B would be either 8B or 9A. While, 9B can give you a low energy boost. For moderate energy boost, you would use 5B and a high energy boost can either be 10B or 3B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 8A or 7B will give you a low energy drop, 11B would be a moderate one, and 6B or 1B would be a high energy drop. Lastly, 5A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
---|---|---|---|---|---|---|---|
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): Heavenly Father | Komitas, Hovhannes Nersesyan, Latvian Radio Choir, Sigvards Kļava | A Major | 1 | 11B | 108 BPM | ||
Pjotr Tsaikovski: Legend (op. 54/5) | Lumen Valo | E Minor | 0 | 9A | 81 BPM | ||
Miserere: XI. Tunc acceptabis sacrificium justitiae ; Tunc inponent - Livre des psaumes | Gregorio Allegri, Bai Tomaso, Ensemble Zene, Bruno Kele-Baujard | B Minor | 1 | 10A | 110 BPM | ||
Tu es Petrus | Robert Lucas Pearsall, East Carolina University Chamber Singers, Janette Fishell, Daniel Bara | E♭ Major | 1 | 5B | 137 BPM | ||
Gloria, laus et honor tibi sit | Francesco Soriano, Sistine Chapel Choir, Massimo Palombella | D Major | 1 | 10B | 73 BPM | ||
Tenebrae Responsories for Maundy Thursday: Tristis est anima mea: a. Respond. Tristis est anima mea | Carlo Gesualdo, Owain Park, The Gesualdo Six | D♭ Minor | 1 | 12A | 88 BPM | ||
Dark November | Speech to Mortals | D Major | 0 | 10B | 133 BPM | ||
Trist'Amarilli mia | Philippe Verdelot, Profeti Della Quinta | F♯ Minor | 1 | 11A | 83 BPM | ||
Arae post libamina / Nunc surgunt | Mayshuet de Joan, Gothic Voices | D Major | 1 | 10B | 109 BPM | ||
2 Choeurs, Op. 68: No. 2. Les fleurs et les arbres | Camille Saint-Saëns, musica intima | E♭ Major | 1 | 5B | 76 BPM |
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