"Emendemus in melius: I. Emendemus in melius" by Pierre de Manchicourt, El León de Oro, Peter Phillips was released on April 5, 2024. With this song being about 5 minutes long, at 4:59, "Emendemus in melius: I. Emendemus in melius" by Pierre de Manchicourt, El León de Oro, Peter Phillips is fairly a long song compared to the average song length. This song does not have an "Explicit" tag, making it safe for all ages. The track order of this song in El León de Oro, George de La Hèle, Peter Phillips, Pierre de Manchicourt, Marco Antonio García de Paz, Nicolas Payen, Philippe Rogier's "La Hèle: Missa Praeter rerum seriem & Works by Manchicourt, Payen & Rogier" album is number 10 out of 16. On top of that, United Kingdom appears to be the country where this track was created. Based on our statistics, Emendemus in melius: I. Emendemus in melius's popularity is unknown right now. In our opinion, the overall tone is not very danceable and projects negative sounds, such as being sad, depressed, or angry.
We consider the tempo marking of Emendemus in melius: I. Emendemus in melius by Pierre de Manchicourt, El León de Oro, Peter Phillips to be Allegro (fast, quick, and bright) because the track has a tempo of 142 BPM, a half-time of 71BPM, and a double-time of 284 BPM. Based on that, the speed of the song's tempo is fast. Activities such as, jogging or cycling, can go well with this song. The time signature for this track is 3/4.
This song has a musical key of G Major. This also means that this song has a camelot key of 9B. So, the perfect camelot match for 9B would be either 9B or 10A. While, 10B can give you a low energy boost. For moderate energy boost, you would use 6B and a high energy boost can either be 11B or 4B. Though, if you want a low energy drop, you should looking for songs with either a camelot key of 9A or 8B will give you a low energy drop, 12B would be a moderate one, and 7B or 2B would be a high energy drop. Lastly, 6A allows you to change the mood.
Track | Artist | Key | Energy | Camelot | BPM | ||
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Mass No. 2 in E Minor, WAB 27 (1882 Version): VI. Agnus Dei | Anton Bruckner, Bavarian Radio Chorus, Peter Dijkstra, Munich Radio Orchestra | E Major | 0 | 12B | 81 BPM | ||
Troparion: O Theotokos | Timo Ruottinen, Tampere Orthodox Choir | D Major | 1 | 10B | 135 BPM | ||
Quis numerare queat: II. Audivit ipse | Loyset Compère, Owain Park, The Gesualdo Six | D Minor | 2 | 7A | 69 BPM | ||
Missa "Mater Patris": Gloria from the mass Mater Matris | Josquin des Prez, Jerycho, Bartosz Izbicki | E Major | 2 | 12B | 66 BPM | ||
Parce Domine | Jacob Obrecht, Odhecaton, Paolo da Col | E♭ Minor | 1 | 2A | 91 BPM | ||
All'imperio d'Amore: 3. Ineffabile ardore a 6 "Il rapimento di Cefalo" | Giulio Caccini, Ensemble Pygmalion, Raphael Pichon | F Major | 2 | 7B | 62 BPM | ||
We Sing Unto Thee | The Valery Rybin Male Choir | G Major | 0 | 9B | 80 BPM | ||
Divine Liturgy (Arr. V. Sharafyan for Mixed Choir): The Holy One | Komitas, Hovhannes Nersesyan, Agate Burkina, Jānis Kurševs, Latvian Radio Choir, Sigvards Kļava | F Major | 0 | 7B | 72 BPM | ||
Der letzte Traum | Friedrich Wilhelm Kücken, ffortissibros, Benedikt Kantert | A♭ Major | 1 | 4B | 65 BPM | ||
Messa a quattro voci, SV 190: III. Credo | Claudio Monteverdi, Krijn Koetsveld, Le Nuove Músiche | G Major | 3 | 9B | 75 BPM |
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